S
Zodix
Study
Academic Library
Search
Shelves
Open access
Sign in
Search or jump to…
⌘K
David H. Solkin · Study
Home
/
Author
David H. Solkin
23 works
· latest 2015
· 3 institutions
cluster: provisional
Follow
Claim this profile
h-index
7
i10
7
Citations
418
Works here
23
75
81
82
86
94
96
99
00
01
03
04
09
15
Most cited in this library
Painting for Money: The Visual Arts and the Public Sphere in Eighteenth- Century England.
1994 · 180 citations
Art on the Line: The Royal Academy Exhibitions at Somerset House 1780–1836
2001 · 67 citations
Richard Wilson: The Landscape of Reaction
1982 · 38 citations
Modernism and Modernity: the Vancouver Conference Papers
2004 · 32 citations
Joseph Wright of Derby and the Sublime Art of Labor
2003 · 22 citations
Works
23 shown
Art in Britain 1660-1815
·
2015
·
1 author
·
book
2
citations
Turner and the Masters
·
2009
·
2 authors
·
book
2
citations
Modernism and Modernity: the Vancouver Conference Papers
·
2004
·
3 authors
32
citations
Joseph Wright of Derby and the Sublime Art of Labor
Representations
·
2003
·
1 author
22
citations
Art on the Line: The Royal Academy Exhibitions at Somerset House 1780–1836
Paul Mellon Centre eBooks
·
2001
·
1 author
·
book
67
citations
9. Landscape-O-Rama: The Exhibition Landscape at Somerset House and the Rise of Popular Landscape Entertainments
Paul Mellon Centre eBooks
·
2001
·
1 author
·
chapter
15
citations
11. Crowds and Connoisseurs: Looking at Genre Painting at Somerset House
Paul Mellon Centre eBooks
·
2001
·
1 author
·
chapter
5
citations
15. Printmakers and the Royal Academy Exhibitions 1780–1836
Paul Mellon Centre eBooks
·
2001
·
1 author
·
chapter
3
citations
3. A Shilling Well Laid Out’: The Royal Academy’s Early Public
Paul Mellon Centre eBooks
·
2001
·
1 author
·
chapter
3
citations
13. Watercolourists and Watercolours at the Royal Academy 1780–1836
Paul Mellon Centre eBooks
·
2001
·
1 author
·
chapter
3
citations
6. The Sublime as Spectacle: The Transformation of Ideal Art at Somerset House
Paul Mellon Centre eBooks
·
2001
·
1 author
·
chapter
2
citations
16. Foreign Exhibitors and the British School at the Royal Academy 1768–1823
Paul Mellon Centre eBooks
·
2001
·
1 author
·
chapter
2
citations
7. ‘Portrait! Portrait!! Portrait!!!’
Paul Mellon Centre eBooks
·
2001
·
1 author
·
chapter
2
citations
12. Art in the Dark: Viewing and Exhibiting Sculpture at Somerset House
Paul Mellon Centre eBooks
·
2001
·
1 author
·
chapter
2
citations
‘Gainsborough’s Classically Virtuous Wife’
·
2000
·
1 author
2
citations
Isaac Fuller's Escape of Charles II: A Restoration Tragicomedy
Journal of the Warburg and Courtauld Institutes
·
1999
·
1 author
3
citations
Samaritan or Scrooge? The Contested Image of Thomas Guy in Eighteenth-Century England
The Art Bulletin
·
1996
·
1 author
4
citations
Painting for Money: The Visual Arts and the Public Sphere in Eighteenth- Century England.
The American Historical Review
·
1994
·
2 authors
180
citations
Great Pictures or Great Men? Reynolds, Male Portraiture, and the Power of Art
Oxford Art Journal
·
1986
·
1 author
21
citations
Portraiture in Motion: Edward Penny's "Marquis of Granby" and the Creation of a Public for English Art
Huntington Library Quarterly
·
1986
·
1 author
4
citations
Richard Wilson: The Landscape of Reaction
·
1982
·
1 author
·
book
38
citations
German Romanticism and English Art
Leonardo
·
1981
·
2 authors
2
citations
‘Philibert Rouvière: Edouard Manet's L'Acteur Tragique’
Burlington magazine/The Burlington magazine
·
1975
·
1 author
2
citations