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Ian Biddle · Study

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Ian Biddle

11 works· latest 2017· 1 institutionscluster: provisionalORCID 0000-0002-8555-7048

h-index7

i105

Citations229

Works here11

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Most cited in this library

Sound, music, affect: theorizing sonic experience2013 · 74 citations
Introduction National Popular Musics2016 · 60 citations
Introduction: Somewhere between the signifying and the sublime2013 · 35 citations
Music, masculinity and the claims of history: the Austro-German tradition from Hegel to Freud2012 · 13 citations
Policing Masculinity: Schumann, Berlioz and the Gendering of the Music-Critical Idiom1999 · 12 citations

Works

11 shown

Music and Identity Politics

Routledge eBooks·2017·1 author·other·Open access

8citations

Routledge eBooks·2017·2 authors·chapter

3citations

Introduction National Popular Musics

Routledge eBooks·2016·2 authors·chapter

60citations

Sound, music, affect: theorizing sonic experience

·2013·2 authors

74citations

Introduction: Somewhere between the signifying and the sublime

·2013·2 authors·other·Open access

35citations

Music, masculinity and the claims of history: the Austro-German tradition from Hegel to Freud

Choice Reviews Online·2012·1 author·other·Open access

13citations

What’s Going On: Music, Psychology, and Ecological Theory

Routledge eBooks·2012·1 author·chapter

7citations

Listening, consciousness, and the charm of the universal:what it feels like for a Lacanian

Oxford University Press eBooks·2011·1 author·chapter·Open access

5citations

The singsong of undead labor: Gender Nostalgia and the Vocal Fantasy of Intimacy in the ‘New’ Male Singer/Songwriter

Newcastle University ePrints (Newcastle Univesity)·2007·1 author·chapter·Open access

7citations

Vox Electronica: Nostalgia, Irony and Cyborgian Vocalities in Kraftwerk’s Radioaktivität and Autobahn

twentieth-century music·2004·1 author

5citations

Policing Masculinity: Schumann, Berlioz and the Gendering of the Music-Critical Idiom

Journal of the Royal Musical Association·1999·1 author·Open access

12citations