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Lee Watkins · Study

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Lee Watkins

6 works· latest 2021· 2 institutionscluster: provisionalORCID 0000-0003-2980-6043

h-index5

i104

Citations76

Works here6

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Most cited in this library

Minstrelsy and Mimesis in the South China Sea: Filipino Migrant Musicians, Chinese Hosts, and the Disciplining of Relations in Hong Kong2009 · 26 citations
Rethinking the decolonial moment through collaborative practices at the International Library of African Music (ILAM), South Africa2021 · 15 citations
‘Simunye, We are not one’: Ethnicity, Difference and the Hip-Hoppers of Cape Town2001 · 15 citations
Keeping it real: amaXhosa iimbongi making mimesis do its thing in the hip-hop and rap music of the Eastern Cape2010 · 10 citations
BROWN, BLACK, YELLOW, WHITE: FILIPINO MUSICIANSHIP IN HONG KONG AND THEIR HYBRIDIZED SOCIABILITY2010 · 5 citations

Works

6 shown

Rethinking the decolonial moment through collaborative practices at the International Library of African Music (ILAM), South Africa

Ethnomusicology Forum·2021·3 authors

15citations

Keeping it real: amaXhosa iimbongi making mimesis do its thing in the hip-hop and rap music of the Eastern Cape

African Music Journal of the International Library of African Music·2010·1 author·Open access

10citations

BROWN, BLACK, YELLOW, WHITE: FILIPINO MUSICIANSHIP IN HONG KONG AND THEIR HYBRIDIZED SOCIABILITY

DOAJ (DOAJ: Directory of Open Access Journals)·2010·1 author·Open access

5citations

Minstrelsy and Mimesis in the South China Sea: Filipino Migrant Musicians, Chinese Hosts, and the Disciplining of Relations in Hong Kong

Asian Music·2009·1 author

26citations

‘Simunye, We are not one’: Ethnicity, Difference and the Hip-Hoppers of Cape Town

Race & Class·2001·1 author

15citations

Tracking the narrative : the poetics of identity in rap music and hip- hop culture in Cape Town.

ResearchSpace (University of KwaZulu-Natal)·2000·1 author·thesis

5citations