SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

Wendy Furman‐Adams · Study

Home/Author

Wendy Furman‐Adams

4 works· latest 1999cluster: provisionalORCID 0000-0002-6298-1831

h-index2

i101

Citations22

Works here4

92

97

98

99

Most cited in this library

“METAPHYSICAL TEARS”: CARLOTTA PETRINA'S RE-PRESENTATION OF “PARADISE LOST”, BOOK IX1998 · 16 citations
“WITH OTHER EYES”: LEGACY AND INNOVATION IN FOUR ARTISTS’ RE-VISIONS OF THE DINNER PARTY IN “PARADISE LOST”1997 · 2 citations
“PLEASING WAS HIS SHAPE, / AND LOVELY”: THE SERPENT WITH EVE AND ADAM IN ART BEFORE MILTON AND IN RE-VISIONS BY THREE TWENTIETH-CENTURY WOMEN1999 · 2 citations
“CONSIDER FIRST, THAT GREAT / OR BRIGHT INFERS NOT EXCELLENCE”: MAPPING THE FEMININE IN MARY GROOM'S MILTONIC COSMOS1992 · 2 citations

Works

4 shown

“PLEASING WAS HIS SHAPE, / AND LOVELY”: THE SERPENT WITH EVE AND ADAM IN ART BEFORE MILTON AND IN RE-VISIONS BY THREE TWENTIETH-CENTURY WOMEN

Milton Studies·1999·2 authors

2citations

“METAPHYSICAL TEARS”: CARLOTTA PETRINA'S RE-PRESENTATION OF “PARADISE LOST”, BOOK IX

Milton Studies·1998·2 authors

16citations

“WITH OTHER EYES”: LEGACY AND INNOVATION IN FOUR ARTISTS’ RE-VISIONS OF THE DINNER PARTY IN “PARADISE LOST”

Milton Studies·1997·2 authors

2citations

“CONSIDER FIRST, THAT GREAT / OR BRIGHT INFERS NOT EXCELLENCE”: MAPPING THE FEMININE IN MARY GROOM'S MILTONIC COSMOS

Milton Studies·1992·1 author

2citations