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Shannon Garland · Study

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Shannon Garland

5 works· latest 2020· 3 institutionscluster: provisionalORCID 0000-0003-0617-8240

h-index4

i103

Citations62

Works here5

12

14

19

20

Most cited in this library

Amiguismo: capitalism, sociality, and the sustainability of indie music in Santiago, Chile2019 · 31 citations
“The Space, the Gear, and Two Big Cans of Beer”: Fora do Eixo and the Debate over Circulation, Remuneration, and Aesthetics in the Brazilian Alternative Market2012 · 11 citations
Music, Affect, Labor, and Value: Late Capitalism and the (Mis)Productions of Indie Music in Chile and Brazil2014 · 10 citations
No love without conflict: rights to the city, cultural activism, and the ‘irony of affect’ in São Paulo, Brazil2020 · 6 citations
Review of Ignacio Corona and Alejandro Madrid, eds. 2008. Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario. Lanham: Lexington Books2020 · 4 citations

Works

5 shown

No love without conflict: rights to the city, cultural activism, and the ‘irony of affect’ in São Paulo, Brazil

Culture, theory and critique/Culture, theory & critique·2020·1 author

6citations

Review of Ignacio Corona and Alejandro Madrid, eds. 2008. Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario. Lanham: Lexington Books

DOAJ (DOAJ: Directory of Open Access Journals)·2020·1 author·other·Open access

4citations

Amiguismo: capitalism, sociality, and the sustainability of indie music in Santiago, Chile

Ethnomusicology Forum·2019·1 author

31citations

Music, Affect, Labor, and Value: Late Capitalism and the (Mis)Productions of Indie Music in Chile and Brazil

·2014·1 author·Open access

10citations

“The Space, the Gear, and Two Big Cans of Beer”: Fora do Eixo and the Debate over Circulation, Remuneration, and Aesthetics in the Brazilian Alternative Market

Journal of Popular Music Studies·2012·1 author

11citations