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Hugh de Ferranti

13 works· latest 2013· 2 institutionscluster: provisional

h-index6

i106

Citations216

Works here13

Most cited in this library

Last Biwa Singer, The: A Blind Musician in History, Imagination and Performance2009 · 99 citations
‘Japanese music’ can be popular2002 · 20 citations
Japanese Musical Instruments2001 · 19 citations
Songs from the Edge of Japan: Music-making in Yaeyama and Okinawa2013 · 18 citations
Japanese Musical Instruments2000 · 17 citations

Works

13 shown

Songs from the Edge of Japan: Music-making in Yaeyama and Okinawa

Social Science Japan Journal·2013·1 author·other

18citations

Music and Diaspora in the Second Metropolis: The Okinawan and Korean Musicians of Interwar Osaka

Japanese Studies·2009·1 author

6citations

Last Biwa Singer, The: A Blind Musician in History, Imagination and Performance

Project Muse (Johns Hopkins University)·2009·1 author

99citations

Taming the Reciting Voice: Satsumabiwa Text-scores and their Roles in Transmission and Performance

RUNE (Research UNE)·2006·1 author

14citations

Transmission and Textuality in the Narrative Traditions of Blind Biwa Players

Yearbook for Traditional Music·2003·1 author

3citations

‘Japanese music’ can be popular

Popular Music·2002·1 author·Open access

20citations

A Way a Lone: Writings on Toru Takemitsu

·2002·2 authors·book

3citations

Japanese Musical Instruments

Asian Music·2001·3 authors

19citations

Japanese Musical Instruments

Institutional Repositories DataBase (IRDB)·2000·1 author·book

17citations

The Beginnings of Western Music in Meiji Era Japan

Yearbook for Traditional Music·2000·4 authors

4citations

Text and music in biwa narrative : the zatô biwa tradition of Kyushu

·1997·1 author·book

3citations

Relations between Music and Text in "Higo Biwa": The "Nagashi" Pattern as a Text-Music System

Asian Music·1994·1 author

6citations

Composition and improvisation in Satsuma biwa

Cambridge University Press eBooks·1991·1 author·chapter

4citations