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Penny Howell Jolly · Study

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Penny Howell Jolly

9 works· latest 2019· 1 institutionscluster: provisional

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Citations33

Works here9

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Most cited in this library

Hair: Untangling a Social History2004 · 6 citations
Pubics and Privates: Body Hair in Late Medieval Art2017 · 5 citations
Gender, Dress, and Franciscan Tradition in the Mary Magdalen Chapel at San Francesco, Assisi2019 · 5 citations
Marked Difference: Earrings and “The Other” in Fifteenth-Century Flemish Art2002 · 4 citations
The Wise and Foolish Magdalene, The Good Widow, and Rogier van der Weyden's "Braque Triptych"2010 · 4 citations

Works

9 shown

Gender, Dress, and Franciscan Tradition in the Mary Magdalen Chapel at San Francesco, Assisi

Gesta·2019·1 author

5citations

Cultural Representations: Head and Body Hair in Medieval Art

·2019·1 author·other

3citations

Pubics and Privates: Body Hair in Late Medieval Art

Routledge eBooks·2017·1 author·chapter

5citations

The Wise and Foolish Magdalene, The Good Widow, and Rogier van der Weyden's "Braque Triptych"

Creative Matter (Skidmore College)·2010·1 author

4citations

Rogier van der Weyden's "Pregnant" Magdalene: On the Rhetoric of Dress in the Descent from the Cross

Creative Matter (Skidmore College)·2007·1 author

1citations

Hair: Untangling a Social History

Creative Matter (Skidmore College)·2004·1 author·Open access

6citations

Marked Difference: Earrings and “The Other” in Fifteenth-Century Flemish Art

Palgrave Macmillan US eBooks·2002·1 author·chapter

4citations

More on the Van Eyck Question: Philip the Good of Burgundy, Isabelle of Portugal, and the Ghent Altarpiece

Oud Holland - Journal for Art of the Low Countries·1987·1 author

3citations

Rogier van der Weyden's Escorial and Philadelphia Crucifixions and their relation to Fra Angelico at San Marco

Oud Holland - Journal for Art of the Low Countries·1981·1 author

2citations