Home/Author

Thijs Weststeijn

21 works· latest 2024· 1 institutionscluster: provisional

h-index8

i108

Citations352

Works here21

Most cited in this library

The Visible World : Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age2008 · 98 citations
Spinoza sinicus: An Asian Paragraph in the History of the Radical Enlightenment2007 · 78 citations
A New Field:History of Humanities2016 · 51 citations
Art and Antiquity in the Netherlands and Britain: The Vernacular Arcadia of Franciscus Junius 1591-16772015 · 33 citations
The making of the humanities. - Vol. 1: Early Modern Europe2010 · 20 citations

Works

21 shown

Introduction

Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online·2024·3 authors·Open access

2citations

Painting as ‘Reall Performance’ in Rembrandt’s Studio

·2021·1 author·chapter·Open access

2citations

Connoisseurship as knowledge. An introduction

Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online·2020·2 authors·Open access

2citations

‘This Art Embraces All Visible Things in its Domain’: Samuel van Hoogstraten and the Trattato della Pittura

Routledge eBooks·2017·1 author·chapter

6citations

The Rules of art and Rembrandt, 1630–1730*

Routledge eBooks·2017·1 author·chapter

1citations

The Sublime and the “Beholder’s Share”: Junius, Rubens, Rembrandt

Journal of Historians of Netherlandish Art

A New Field:History of Humanities

History of Humanities·2016·4 authors·editorial·Open access

51citations

The Global Trajectory of Nicolaas Witsen’s Chinese Mirror

The Rijksmuseum Bulletin·2015·2 authors·Open access

2citations

Art and Antiquity in the Netherlands and Britain: The Vernacular Arcadia of Franciscus Junius 1591-1677

UvA-DARE (University of Amsterdam)·2015·1 author·book

33citations

Art and Antiquity in the Netherlands and Britain

BRILL eBooks·2015·1 author·book

12citations

Cultural Reflections on Porcelain in the Seventeenth-Century Netherlands

UvA-DARE (University of Amsterdam)·2014·1 author·chapter·Open access

3citations

The gender of colors in Dutch art theory

Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online·2012·1 author·Open access

7citations

"Having No Other Paintings than Their Shields": The Germanic Origins of Art in the Seventeenth Century

UvA-DARE (University of Amsterdam)·2012·1 author·Open access

1citations

From hieroglyphs to universal characters: Pictography in the early modern Netherlands

Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online·2011·1 author

7citations

The making of the humanities. - Vol. 1: Early Modern Europe

Data Archiving and Networked Services (DANS)·2010·3 authors·book

20citations

Between mind and body: painting the inner movements according to Samuel van Hoogstraten and Franciscus Junius

Netherlands Yearbook for History of Art / Nederlands Kunsthistorisch Jaarboek Online·2010·1 author·Open access

3citations

The Visible World : Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age

Amsterdam University Press eBooks·2008·1 author·book·Open access

98citations

Spinoza sinicus: An Asian Paragraph in the History of the Radical Enlightenment

Journal of the History of Ideas·2007·1 author

78citations

Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten’s Judgement of His Master

Amsterdam University Press eBooks·2005·1 author·chapter·Open access

10citations