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Matthew Reason

25 works· latest 2024· 1 institutionscluster: provisionalORCID 0000-0003-0536-4236

h-index16

i1020

Citations873

Works here25

Most cited in this library

Kinesthesia, Empathy, and Related Pleasures: An Inquiry into Audience Experiences of Watching Dance2010 · 202 citations
Documentation, Disappearance and the Representation of Live Performance2006 · 80 citations
Documentation, disappearance and the representation of live performance2007 · 64 citations
Archive or Memory? The Detritus of Live Performance2003 · 59 citations
‘Asking the audience: audience research and the experience of theatre’2010 · 51 citations

Works

25 shown

My favourite part was learning different ways to play: qualitatively evaluating a socially prescribed creative play programme

Public Health·2024·3 authors·Open access

4citations

Routledge Companion to Audiences and the Performing Arts

Routledge eBooks·2022·4 authors·book·Open access

15citations

Inclusive online community arts: COVID and beyond COVID

Cultural Trends·2022·1 author·Open access

28citations

Leading or avoiding change: the problem of audience diversification for arts organisations

International Journal of Cultural Policy·2020·3 authors·Open access

16citations

Storytelling, story-retelling, storyknowing: towards a participatory practice of storytelling

Research in Drama Education The Journal of Applied Theatre and Performance·2016·2 authors·Open access

36citations

Editors’ Introduction: Themed Section on Theatre Audiences

Bristol Research (University of Bristol)·2015·2 authors

Participations on Participation. Research the “active” theatre audience

Research at York St John (York St John University)·2015·1 author·Open access

6citations

Writing the Olfactory in the Live Performance Review

Performance Research·2014·1 author

37citations

Writing the Embodied Experience: Ekphrastic and Creative Writing as Audience Research

Research at York St John (York St John University)·2012·1 author·Open access

6citations

Kinestbetic Empathy in Creative and Cultural Practices

Research Explorer (The University of Manchester)·2012·2 authors·book

45citations

The Young Audience: Exploring and Enhancing Children's Experiences of Theatre

Research at York St John (York St John University)·2010·1 author·book·Open access

37citations

Watching Dance, Drawing the Experience and Visual Knowledge

Forum for Modern Language Studies·2010·1 author

18citations

Kinesthesia, Empathy, and Related Pleasures: An Inquiry into Audience Experiences of Watching Dance

Dance Research Journal·2010·2 authors·Open access

202citations

‘Asking the audience: audience research and the experience of theatre’

Research at York St John (York St John University)·2010·1 author

51citations

Documentation, disappearance and the representation of live performance

Choice Reviews Online·2007·1 author·other

64citations

Documentation, Disappearance and the Representation of Live Performance

Palgrave Macmillan UK eBooks·2006·1 author·book

80citations

Young audiences and live theatre, Part 2: Perceptions of liveness in performance

Studies in Theatre and Performance·2006·1 author

30citations

Theatre for Children and Young People

·2005·2 authors·book

8citations

Theatre Audiences and Perceptions of ‘Liveness’ in Performance

Research at York St John (York St John University)·2004·1 author

37citations

Still Moving: The Revelation or Representation of Dance in Still Photography

Dance Research Journal·2004·1 author·Open access

10citations

Archive or Memory? The Detritus of Live Performance

New Theatre Quarterly·2003·1 author

59citations