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Rachel Fensham · Study

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Rachel Fensham

14 works· latest 2021· 3 institutionscluster: provisionalORCID 0000-0002-0339-4848

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Citations372

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Most cited in this library

Routledge Handbook of Interdisciplinary Research Methods2018 · 114 citations
Performing Archives/Archives of Performance2013 · 52 citations
Virtual Theatres: An Introduction2005 · 36 citations
Designing for Movement: Dance Costumes, Art Schools and Natural Movement in the Early Twentieth Century2015 · 33 citations
To Watch Theatre: Essays on Genre and Corporeality2009 · 32 citations

Works

14 shown

Theory for Theatre Studies: Movement

Bloomsbury Publishing Plc eBooks·2021·1 author·book

5citations

Routledge Handbook of Interdisciplinary Research Methods

Routledge eBooks·2018·7 authors·book·Open access

114citations

Making and assembling

Routledge eBooks·2018·2 authors·chapter

14citations

Designing for Movement: Dance Costumes, Art Schools and Natural Movement in the Early Twentieth Century

Journal of Design History·2015·1 author

33citations

Repetition as a methodology: Costumes, archives and choreography

Scene·2014·1 author

7citations

Performing Archives/Archives of Performance

·2013·25 authors

52citations

“Breakin' the Rules”: Eleo Pomare and the Transcultural Choreographies of Black Modernity

Dance Research Journal·2012·1 author·Open access

15citations

Postdramatic Spectatorship: Participate or Else

DOAJ (DOAJ: Directory of Open Access Journals)·2012·1 author·Open access

16citations

Dancing the Transcultural across the South

Journal of Intercultural Studies·2012·2 authors

7citations

To Watch Theatre: Essays on Genre and Corporeality

·2009·1 author

32citations

Operating Theatres: Body-bits and a Post-apartheid Aesthetics

·2008·1 author·other

13citations

The Doll's Revolution: Australian Theatre and Cultural Imagination

Open Research (University of Surrey)·2006·2 authors·book

8citations

Virtual Theatres: An Introduction

Australasian drama studies·2005·1 author

36citations

More-and-Less-Than: Liveness, Video Recording, and the Future of Performance

New Theatre Quarterly·2000·2 authors

20citations