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Eero Tarasti · Study
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Author
Eero Tarasti
26 works
· latest 2021
· 1 institutions
cluster: provisional
ORCID 0000-0002-6960-1395
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14
Citations
901
Works here
26
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Most cited in this library
A Theory of Musical Semiotics
1994 · 266 citations
Signs of Music: A Guide To Musical Semiotics
2002 · 95 citations
Existential Semiotics
2001 · 86 citations
Signs of Music
2002 · 85 citations
Myth and Music. A Semiotic Approach to the Aesthetics of Myth in Music, Especially That of Wagner, Sibelius and Stravinsky
1980 · 66 citations
Works
26 shown
Existential Semiotics and Its Application to Music: The Zemic Theory and Its Birth from the Spirit of Music
Numanities - arts and humanities in progress
·
2021
·
1 author
·
chapter
6
citations
Musical Semiotics – a Discipline, its History and Theories, Past and Present1
Recherches sémiotiques
·
2018
·
1 author
·
Open access
5
citations
Los signos en la historia de la música, historia de la semiótica musical
Tópicos del Seminario
·
2016
·
1 author
·
Open access
4
citations
Sein und Schein
De Gruyter eBooks
·
2015
·
1 author
·
book
24
citations
Semiotics of Classical Music
De Gruyter eBooks
·
2012
·
1 author
·
book
37
citations
EXISTENTIAL AND TRANSCENDENTAL ANALYSIS OF MUSIC
Muzyka (Music)
·
2006
·
1 author
6
citations
Musical Semiotics Revisited
·
2003
·
3 authors
10
citations
Signs of Music
De Gruyter eBooks
·
2002
·
1 author
·
book
85
citations
Signs of Music: A Guide To Musical Semiotics
·
2002
·
1 author
95
citations
Metaphors of nature and organicism in the epistemology of music: A "biosemiotic" introduction to the analysis of Jean Sibelius' symphonic thought
Sign Systems Studies
·
2001
·
1 author
·
Open access
3
citations
Existential Semiotics
Indiana University Press eBooks
·
2001
·
1 author
·
book
86
citations
Musical Signification. Essays in the Semiotic Theory and Analysis of Music
International Review of the Aesthetics and Sociology of Music
·
1997
·
2 authors
17
citations
Musical semiotics in growth
·
1996
·
3 authors
46
citations
Heitor Villa-Lobos. The Life and Works, 1887-1959
Latin American Music Review
·
1996
·
2 authors
·
other
28
citations
Musical Signification
Mouton eBooks
·
1995
·
1 author
·
book
36
citations
A Theory of Musical Semiotics
Indiana University Press eBooks
·
1994
·
1 author
·
book
266
citations
A narrative grammar of Chopin's G minor Ballade
Minds and Machines
·
1992
·
1 author
4
citations
Beethoven's Waldstein and the Generative Course
IUScholarWorks (Indiana University)
·
1991
·
1 author
·
Open access
7
citations
Le rôle du temps dans le discours musical
·
1991
·
1 author
3
citations
Music Models Through Ages: A Semiotic Interpretation
International Review of the Aesthetics and Sociology of Music
·
1986
·
1 author
4
citations
Music as Sign and Process
Springer eBooks
·
1986
·
1 author
·
chapter
3
citations
Pour une narratologie de Chopin
International Review of the Aesthetics and Sociology of Music
·
1984
·
2 authors
11
citations
"Myth and Music. A Semiotic Approach to the Aesthetics of Myth in Music, especially that of Wagner, Sibelius and Stravinsky by...", Eero Tarasti, The Hague 1979 : [recenzja] / Maria Gołaszewska.
Muzyka : kwartalnik Instytutu Sztuki Polskiej Akademii Nauk
·
1981
·
2 authors
7
citations
Myth and Music. A Semiotic Approach to the Aesthetics of Myth in Music, Especially That of Wagner, Sibelius and Stravinsky
International Review of the Aesthetics and Sociology of Music
·
1980
·
2 authors
66
citations
Myth and Music
Mouton eBooks
·
1979
·
1 author
·
book
42
citations
2. The problematics of myth
Mouton eBooks
·
1979
·
1 author
·
chapter
0
citations