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Frank Keßler

18 works· latest 2025· 1 institutionscluster: provisionalORCID 0000-0001-7892-2169

h-index9

i109

Citations302

Works here18

Most cited in this library

The Cinema of Attractions as Dispositif2006 · 56 citations
Ostranenie. Zum Verfremdungsbegriff von Formalismus und Neoformalismus1996 · 36 citations
La cinématographie comme dispositif (du) spectaculaire 12004 · 34 citations
Layers of Cheese. Generic Overlap in Early Non-Fiction Films on Production Processes2009 · 28 citations
What You Get Is What You See: Digital Images and the Claim on the Real2009 · 26 citations

Works

18 shown

Ostranenie, Innovation, and Media History

Routledge eBooks·2025·1 author·chapter·Open access

8citations

Montage AV : Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation

·2020·10 authors

5citations

When the history of moviegoing is a history of movie watching, then what about the films?

Routledge eBooks·2019·2 authors·chapter·Open access

6citations

“Spellbound in darkness”

Linguistic approaches to literature·2017·1 author·chapter

9citations

The Screen and the Concept of Dispositif – A Dialogue

Amsterdam University Press eBooks·2016·3 authors·chapter·Open access

7citations

Recadrages : pour une pragmatique historique du dispositif cinématographique1

Kinoreformbewegung Revisited: Performing the Cinematograph as a Pedagogical Tool

Utrecht University Repository (Utrecht University)·2014·2 authors·chapter·Open access

10citations

L’écriture de l’histoire au présent. Débuts de l’historiographie du cinéma

Cinémas Revue d études cinématographiques·2011·2 authors·Open access

24citations

Programming and Performing Early Cinema Today: Strategies and Dispositifs

Utrecht University Repository (Utrecht University)·2011·1 author·book·Open access

8citations

Layers of Cheese. Generic Overlap in Early Non-Fiction Films on Production Processes

Utrecht University Repository (Utrecht University)·2009·1 author·book·Open access

28citations

What You Get Is What You See: Digital Images and the Claim on the Real

Utrecht University Repository (Utrecht University)·2009·1 author·book·Open access

26citations

The Cinema of Attractions as Dispositif

Utrecht University Repository (Utrecht University)·2006·1 author·book·Open access

56citations

La cinématographie comme dispositif (du) spectaculaire 1

Cinémas Revue d études cinématographiques·2004·1 author·Open access

34citations

Fakt oder Fiktion? Zum pragmatischen Status dokumentarischer Bilder

Utrecht University Repository (Utrecht University)·1998·1 author·Open access

16citations

Etienne Souriau und das Vokabular der filmologischen Schule

Utrecht University Repository (Utrecht University)·1997·1 author·Open access

15citations