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Bell Yung · Study

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Bell Yung

20 works· latest 2020· 2 institutionscluster: provisional

h-index13

i1015

Citations432

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Most cited in this library

Listening to Theatre: The Aural Dimension of Beijing Opera1993 · 68 citations
Creative Process in Cantonese Opera I: The Role of Linguistic Tones1983 · 52 citations
Flying Dragons, Flowing Streams: Music in the Life of San Francisco's Chinese1984 · 42 citations
Choreographic and Kinesthetic Elements in Performance on the Chinese Seven-String Zither1984 · 39 citations
Historical Interdependency of Music: A Case Study of the Chinese Seven-String Zither1987 · 28 citations

Works

20 shown

A Heuristic Theory of Metrical Transformation and Tune Metamorphosis: Tracking Creativity in Traditional Cantonese Opera

Ethnomusicology·2020·1 author

5citations

Exploring Creativity in Traditional Music

Yearbook for Traditional Music·2019·1 author

17citations

An Audience of One: The Private Music of the Chinese Literati

Ethnomusicology·2017·1 author

9citations

Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 1949

Asian Music·2000·2 authors

26citations

Celestial Airs of Antiquity: Music of the Seven-String Zither of China

Asian Music·1998·2 authors

10citations

Harmony and Counterpoint: Ritual Music in Chinese Context

Yearbook for Traditional Music·1997·4 authors

25citations

Harmony and counterpoint : ritual music in Chinese context

·1996

·3 authors

·book

18citations

Themes and Variations: Writings on Music in Honor of Rulan Chao Pian

Yearbook for Traditional Music·1995·2 authors·other

17citations

Listening to Theatre: The Aural Dimension of Beijing Opera

Notes·1993·2 authors

68citations

Piano and Politics in China: Middle Class Ambitions and the Struggle over Western Music

Ethnomusicology·1991·2 authors

12citations

The relationship of text and tune in Chinese opera

·1991·1 author·chapter

3citations

Historical Interdependency of Music: A Case Study of the Chinese Seven-String Zither

Journal of the American Musicological Society·1987·1 author

28citations

A Chinese Zither Tutor: The Mei-an Ch'in-p'u

Asian Music·1985·2 authors

16citations

6. Model Opera as Model: From Shajiabang to Sagabong

University of California Press eBooks·1984·1 author·chapter

16citations

Choreographic and Kinesthetic Elements in Performance on the Chinese Seven-String Zither

Ethnomusicology·1984·1 author

39citations

Flying Dragons, Flowing Streams: Music in the Life of San Francisco's Chinese

Ethnomusicology·1984·2 authors

42citations

Creative Process in Cantonese Opera III: The Role of Padding Syllables

Ethnomusicology·1983·1 author

5citations

Creative Process in Cantonese Opera II: The Process of T'ien Tz'u (Text-Setting)

Ethnomusicology·1983·1 author

20citations

Creative Process in Cantonese Opera I: The Role of Linguistic Tones

Ethnomusicology·1983·1 author

52citations

A Critical Study of Chu Tsai-yü's Contribution to the Theory of Equal Temperament in Chinese Music. By Kenneth Robinson. Additional Notes by Erich F. W. Altwein; Preface by Joseph Needham. Wiesbaden: Franz Steiner Verlag (Sinologica Coloniensia Band 9), 1980. x, 136 pp. Figures, Appendixes, Bibliography. N.p.

The Journal of Asian Studies·1981·1 author·other

4citations