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Pietro Alessandro Vigato · Study

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Pietro Alessandro Vigato

15 works· latest 2010· 1 institutionscluster: provisional

h-index13

i1014

Citations365

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Most cited in this library

Ciro Ferri’s frescoes: a study of painting materials and technique by SEM-EDS microscopy, X-ray diffraction, micro FT-IR and photoluminescence spectroscopy2004 · 77 citations
Decay markers for the preventative conservation and maintenance of paintings2004 · 52 citations
La Medusa by Caravaggio: characterisation of the painting technique and evaluation of the state of conservation2005 · 26 citations
Medieval and renaissance glass technology in Valdelsa (Florence). Part 1: raw materials, sands and non-vitreous finds2003 · 26 citations
The funerary klinai of tomb 1 from Amphipolis and a sarcophagus from ancient Tragilos, eastern Macedonia: a physico-chemical investigation on the painting materials2006 · 25 citations

Works

15 shown

ELECTRON BACKSCATTER DIFFRACTION (EBSD): A NEW TECHNIQUE FOR THE IDENTIFICATION OF PIGMENTS AND RAW MATERIALS IN HISTORIC GLASSES AND CERAMICS

Archaeometry·2010·2 authors

18citations

The palette of the Macchia Italian artist Giovanni Fattori in the second half of the xixth century

Journal of Cultural Heritage·2010·4 authors

14citations

The scientific approach to the restoration and monitoring of mural paintings at S. Girolamo Chapel – SS. Annunziata Church in Florence

Journal of Cultural Heritage·2009·6 authors

14citations

Physico-chemical and analytical studies of the mural paintings at Kariye Museum of Istanbul

Journal of Cultural Heritage·2008·6 authors

13citations

Painting technique and state of conservation of wall paintings at Qusayr Amra, Amman – Jordan

Journal of Cultural Heritage·2007·4 authors

20citations

The frescoes of Casa Vasari in Florence: An interdisciplinary approach to understanding, conserving, exploiting and promoting

·2006·2 authors

2citations

The funerary klinai of tomb 1 from Amphipolis and a sarcophagus from ancient Tragilos, eastern Macedonia: a physico-chemical investigation on the painting materials

Journal of Cultural Heritage·2006·3 authors

25citations

La Medusa by Caravaggio: characterisation of the painting technique and evaluation of the state of conservation

Journal of Cultural Heritage·2005·4 authors

26citations

Medieval and Renaissance glass technology in Tuscany. Part 4: the XIVth sites of Santa Cristina (Gambassi–Firenze) and Poggio Imperiale (Siena)

Journal of Cultural Heritage·2005·6 authors

14citations

Medieval and renaissance glass technology in Valdelsa (Florence). Part 3: vitreous finds and crucibles

Journal of Cultural Heritage·2005·11 authors

20citations

Medieval and renaissance glass technology in Valdelsa (Florence). Part 2: vitreous finds and sands

Journal of Cultural Heritage·2005·10 authors

20citations

Ciro Ferri’s frescoes: a study of painting materials and technique by SEM-EDS microscopy, X-ray diffraction, micro FT-IR and photoluminescence spectroscopy

Journal of Cultural Heritage·2004·4 authors

77citations

Decay markers for the preventative conservation and maintenance of paintings

Journal of Cultural Heritage·2004·6 authors

52citations

Medieval and renaissance glass technology in Valdelsa (Florence). Part 1: raw materials, sands and non-vitreous finds

Journal of Cultural Heritage·2003·9 authors

26citations

A Mössbauer approach to the physico-chemical characterization of iron-containing pigments for historical wall paintings

Journal of Cultural Heritage·2000·4 authors

24citations