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Mark Everist · Study
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Author
Mark Everist
39 works
· latest 2023
· 3 institutions
cluster: provisional
ORCID 0000-0001-7767-9814
Works
39 shown
Gluck, Berlioz and Castil-Blaze: The Poetics and Reception of French Opera
Routledge eBooks
·
2023
·
1 author
·
chapter
39
citations
Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris
Routledge eBooks
·
2023
·
1 author
·
book
17
citations
Music, Theatre, and Diplomacy: The Paris Opéra during the Second Empire
Diplomatica
·
2021
·
1 author
·
Open access
4
citations
The Empire at the Opéra
Cambridge University Press eBooks
·
2021
·
1 author
·
book
12
citations
Friends and Foals: The Polyphonic Music of Adam de la Halle
BRILL eBooks
·
2019
·
1 author
·
chapter
17
citations
Discovering Medieval Song
Cambridge University Press eBooks
·
2018
·
1 author
·
book
11
citations
Montpellier 8: Anatomy of …
·
2018
·
1 author
·
chapter
63
citations
Wagner and Paris: The Case of Rienzi (1869)
19th-Century Music
·
2017
·
1 author
·
Open access
4
citations
The Music of Power:
Journal of the American Musicological Society
·
2014
·
1 author
·
other
15
citations
The Music of Power:
Journal of the American Musicological Society
·
2014
·
1 author
12
citations
Mozart's Ghosts
Oxford University Press eBooks
·
2013
·
1 author
·
book
6
citations
Machaut’s Musical Heritage
BRILL eBooks
·
2012
·
1 author
·
chapter
·
Open access
18
citations
The thirteenth century
Cambridge University Press eBooks
·
2011
·
1 author
·
chapter
26
citations
Grand Opéra—Petit Opéra:Parisian Opera and Ballet from the Restoration to the Second Empire
19th-Century Music
·
2010
·
1 author
10
citations
A New Source for the Polyphony of the Ars subtilior: Paris, Bibliothèque nationale, nouvelles acquisitions françaises 22069
Epitome musical
·
2010
·
1 author
·
chapter
46
citations
Music, Theater, and Cultural Transfer
University of Chicago Press eBooks
·
2009
·
2 authors
·
book
83
citations
‘SOUSPIRANT EN TERRE ESTRAINGE’: THE POLYPHONIC RONDEAU FROM ADAM DE LA HALLE TO GUILLAUME DE MACHAUT
Early Music History
·
2007
·
1 author
8
citations
Motets, French Tenors, and the Polyphonic Chanson ca. 1300
Journal of Musicology
·
2007
·
1 author
66
citations
Theatres of litigation: Stage music at the Théâtre de la Renaissance, 1838–1840
Cambridge Opera Journal
·
2004
·
1 author
4
citations
Music Drama at the Paris Odéon, 1824–1828
University of California Press eBooks
·
2002
·
1 author
·
book
34
citations
Enshrining Mozart:Don Giovanniand the Viardot Circle
19th-Century Music
·
2001
·
1 author
10
citations
Reception and Recomposition in the Polyphonic Conductus cum caudis: The Metz Fragment
Journal of the Royal Musical Association
·
2000
·
1 author
20
citations
Reception Theories, Canonic Discourses, and Musical Value
·
1999
·
1 author
·
chapter
78
citations
Analytical Strategies and Musical Interpretation: Essays on Nineteenth- and Twentieth-Century Music
Music Analysis
·
1998
·
3 authors
33
citations
Meyerbeer'sIl crociato in Egitto: mélodrame, opera, orientalism
Cambridge Opera Journal
·
1996
·
1 author
5
citations
The polyphonicrondeau c.1300: Repertory and context
Early Music History
·
1996
·
1 author
14
citations
French Motets in the Thirteenth Century: Music, Poetry and Genre
The Musical Times
·
1995
·
2 authors
72
citations
Music before 1600
Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap
·
1995
·
2 authors
5
citations
A new source for the polyphonic conductus: MS 117 in Sidney Sussex College, Cambridge
Plainsong and Medieval Music
·
1994
·
1 author
4
citations
The Name of the Rose: Meyerbeer's opéra comique, Robert le Diable
Revue de musicologie
·
1994
·
1 author
9
citations
Models of Musical Analysis. Music before 1600
Revue de musicologie
·
1993
·
2 authors
52
citations
Lindoro in Lyon: Rossini's Le Barbier de Séville
Acta Musicologica
·
1992
·
1 author
5
citations
Beyond the Moon: Festschrift Luther Dittmer
Notes
·
1991
·
3 authors
100
citations
Polyphonic Music in Thirteenth-Century France: Aspects of Sources and Distribution
Notes
·
1991
·
2 authors
31
citations
French 13th-Century Polyphony in the British Library. A Facsimile Edition of the Manuscripts Additional 30091 and Egerton 2615 (folios 79-94v)
Revue de musicologie
·
1991
·
2 authors
23
citations
Polyphonic Music in Thirteenth-Century France. Aspects of Sources and Distribution
Revue de musicologie
·
1991
·
2 authors
21
citations
From Paris to St. Andrews: The Origins of W1
Journal of the American Musicological Society
·
1990
·
1 author
68
citations
The Refrain Cento: Myth or Motet?
Journal of the Royal Musical Association
·
1989
·
1 author
21
citations
Methods of Analysis in Musicology
Music Analysis
·
1987
·
2 authors
103
citations