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Corine Schleif · Study

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Corine Schleif

7 works· latest 2017· 1 institutionscluster: provisional

h-index4

i101

Citations40

Works here7

93

95

04

08

10

17

Most cited in this library

HANDS THAT APPOINT, ANOINT AND ALLY: LATE MEDIEVAL DONOR STRATEGIES FOR APPROPRIATING APPROBATION THROUGH PAINTING1993 · 11 citations
:The Danse Macabre of Women: Ms. fr. 995 of the Bibliotheque Nationale1995 · 9 citations
Nicodemus and Sculptors: Self-Reflexivity in Works by Adam Kraft and Tilman Riemenschneider1993 · 8 citations
Gifts and Givers that Keep on Giving: Pictured Presentations in Early Medieval Manuscripts2010 · 4 citations
Introduction/Conclusion: Are We Still Being Historical? Exposing the Ehenheim Epitaph Using History and Theory2008 · 3 citations

Works

7 shown

St Hedwig’s Personal Ivory Madonna: Women’s Agency and the Powers of Possessing Portable Figures

Routledge eBooks·2017·1 author·chapter

3citations

Gifts and Givers that Keep on Giving: Pictured Presentations in Early Medieval Manuscripts

Disputatio·2010·1 author·chapter

4citations

Introduction/Conclusion: Are We Still Being Historical? Exposing the Ehenheim Epitaph Using History and Theory

Different Visions New Perspectives on Medieval Art·2008·1 author

3citations

The making and taking of self-portraits: Interfaces carved between Riemenschneider and his audiences

Studies in the history of art·2004·1 author

2citations

:The Danse Macabre of Women: Ms. fr. 995 of the Bibliotheque Nationale

Sixteenth Century Journal·1995·1 author

9citations

Nicodemus and Sculptors: Self-Reflexivity in Works by Adam Kraft and Tilman Riemenschneider

The Art Bulletin·1993·1 author

8citations

HANDS THAT APPOINT, ANOINT AND ALLY: LATE MEDIEVAL DONOR STRATEGIES FOR APPROPRIATING APPROBATION THROUGH PAINTING

Art History·1993·1 author

11citations