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John Clough · Study

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John Clough

16 works· latest 2002· 1 institutionscluster: provisional

h-index11

i1012

Citations757

Works here16

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Most cited in this library

Maximally Even Sets1991 · 203 citations
Variety and Multiplicity in Diatonic Systems1985 · 166 citations
Musical Scales and the Generalized Circle of Fifths1986 · 80 citations
Scales, Sets, and Interval Cycles: A Taxonomy1999 · 55 citations
Aspects of Diatonic Sets1979 · 51 citations

Works

16 shown

Diatonic Trichords in Two Pieces from Kurtág's Kafka-Fragmente: A Neo-Riemannian Approach

Studia Musicologica·2002·1 author·Open access

5citations

Scales, Sets, and Interval Cycles: A Taxonomy

Music Theory Spectrum·1999·3 authors

55citations

A Rudimentary Geometric Model for Contextual Transposition and Inversion

Journal of Music Theory·1998·1 author

45citations

Hyperscales and the Generalized Tetrachord

Journal of Music Theory·1997·3 authors

16citations

Diatonic Interval Cycles and Hierarchical Structure

Perspectives of New Music·1994·1 author

33citations

Early Indian Heptatonic Scales and Recent Diatonic Theory

Music Theory Spectrum·1993·3 authors

22citations

Maximally Even Sets

Journal of Music Theory

·1991

·2 authors

203citations

: Generalized Musical Intervals and Transformations . David Lewin.

Music Theory Spectrum·1989·1 author·other

3citations

Musical Scales and the Generalized Circle of Fifths

American Mathematical Monthly·1986·2 authors

80citations

Variety and Multiplicity in Diatonic Systems

Journal of Music Theory·1985·2 authors

166citations

Use of the Exclusion Relation to Profile Pitch-Class Sets

Journal of Music Theory·1983·1 author

5citations

Aspects of Diatonic Sets

Journal of Music Theory·1979·1 author

51citations

Diatonic Interval Sets and Transformational Structures

Perspectives of New Music·1979·1 author

48citations

Pitch-Set Equivalence and Inclusion (A Comment on Forte's Theory of Set-Complexes)

Journal of Music Theory·1965·1 author

11citations

Twentieth Century Music Idioms

Journal of Music Theory·1965·1 author

3citations

The Leading Tone in Direct Chromaticism: From Renaissance to Baroque

Journal of Music Theory·1957·1 author

11citations