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The Postmodern Prometheus: Collective experience and the carnivalesque
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The Postmodern Prometheus: Collective experience and the carnivalesque (2002)The Postmodern Prometheus: Collective exp…Rabelais and his world (2020)Rabelais and his worldScience Fiction Film (2001)Science Fiction FilmOn "What Is History?" from Carr and Elton to Rorty and White (1997)On "What Is History?" from Ca…Postmodernism and Popular Culture: A Cultural History (1994)Postmodernism and Popular Cul…Textual poachers : television fans & participatory culture (1992)Textual poachers : television…Time Passages: Collective Memory and American Popular Culture. (1991)Time Passages: Collective Mem…Re-thinking history (1991)Re-thinking historySubversive pleasures: Bakhtin, cultural criticism, and film (1990)Subversive pleasures: Bakhtin…The Nature of History (1989)The Nature of HistoryScreening Space: The American Science Fiction Film (1987)Screening Space: The American…The Voice of the Past: Oral History (1978)The Voice of the Past: Oral H…Dehumanization: An Integrative Review (2006)Learning science in informal environments : people, places, and pursuits (2009)The seven beauties of science fiction (2009)Historical Research in Marketing (1980)Historical Method in Marketing Research with New Evidence on Long-Term Market Share Stability (2000)Corporate irresponsibility and corporate social responsibility: competing realities (2009)Consumer Value: A Framework for Analysis and Research (1999)Users like you? Theorizing agency in user-generated content (2008)How Brand Community Practices Create Value (2009)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Consumer Culture and Postmodernism (1993)The Post-Colonial Studies Reader (1996)The museum environment and the visitor experience (2000)RETHINKING THE SOCIAL IMPACTS OF THE ARTS (2007)Early Modern Ottoman Coffeehouse Culture and the Formation of the Consumer Subject (2010)Technologies of truth: cultural citizenship and the popular media (1998)Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives (2010)Digitized parody: The politics of egao in contemporary China (2010)Critical Ethnography in Education: Origins, Current Status, and New Directions (1989)On Time, Space, and Action Nets (2004)Using Narrative in Social Research (2005)Changing Highbrow Taste: From Snob to Omnivore (1996)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Methodology of the Oppressed (2010)Technology and Its Discontents: On the Verge of the Posthuman (2006)The Cambridge Companion to American Science Fiction (2015)The Moral Consideration of Artificial Entities: A Literature Review (2021)Pattern and meaning across genres and disciplines: An exploratory study (2005)Actor-Network Theory, ANTi-History and critical organizational historiography (2011)The strategic use of historical narratives: a theoretical framework (2016)
this work references cited by second hop

References

  • 2020Rabelais and his world3,426 cited
  • 1992Textual poachers : television fans & participatory culture1,999 cited
  • 1978The Voice of the Past: Oral History930 cited
  • 1991Time Passages: Collective Memory and American Popular Culture.723 cited
  • 1987Screening Space: The American Science Fiction Film538 cited
  • 1991Re-thinking history451 cited
  • 1990Subversive pleasures: Bakhtin, cultural criticism, and film256 cited
  • 1989The Nature of History250 cited
  • 1997On "What Is History?" from Carr and Elton to Rorty and White202 cited
  • 2001Science Fiction Film202 cited
  • 1994Postmodernism and Popular Culture: A Cultural History111 cited

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