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The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance
3 references·1 citing·11 second hop
The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (2014)The Sensuous Cinema of Wong Kar-wai: Film…At Full Speed: Hong Kong Cinema in a Borderless World (2015)At Full Speed: Hong Kong Cine…Engaging characters: fiction, emotion, and the cinema (1996)Engaging characters: fiction,…Breaking the glass armor: neoformalist film analysis (1989)Breaking the glass armor: neo…Pilgrimage to a Memory Hole: Towards an Affective Study of Fan Tourism in Asia via Angkor Wat and Wong Kar-wai’s In the Mood for Love (2019)Pilgrimage to a Memory Hole: …Looks and frictions: essays in cultural studies and film theory (1995)Cinephilia or the Uses of Disenchantment (2005)Constructing the fannish place: Ritual and sacred space in a Sherlock fan pilgrimage (2017)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Some Like It Bad: Testing a Model for Perceiving and Experiencing Fictional Characters (2005)WILL THE REAL EMPATHY PLEASE STAND UP? A CASE FOR A NARROW CONCEPTUALIZATION (2011)Transnational imagination in action cinema: Hong Kong and the making of a global popular culture (2004)The Chinese Exotic (2007)Adapted for the screen: the cultural politics of modern Chinese fiction and film (2010)A philosophy of cinematic art (2010)Aesthetics as Philosophy of Perception (2016)
this work references cited by second hop

References

  • 1996Engaging characters: fiction, emotion, and the cinema766 cited
  • 1989Breaking the glass armor: neoformalist film analysis225 cited
  • 2015At Full Speed: Hong Kong Cinema in a Borderless World213 cited

Cited by

  • 2019Pilgrimage to a Memory Hole: Towards an Affective Study of Fan Tourism in Asia via Angkor Wat and Wong Kar-wai’s In the Mood for Love4 cited

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