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Whether Boccaccio is ultimately misogynous or philogynous, he clearly scrutinizes the conventions of misogyny. This essay explores how Boccaccio explores the misogynous cliché that women share a secret knowledge which they use against the normative knowledge and power of men. In the and the Boccaccio uses his trademark play with voicing to highlight the masculine fear that underlies and generates misogyny as a cultural discourse.
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Stored only when both papers are in the corpus — 5 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.