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Rubens in Madrid (1628-29): new technical evidence concerning his copies after Titian, and a new portrait
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Rubens in Madrid (1628-29): new technical evidence concerning his copies after Titian, and a new portrait (2013)Rubens in Madrid (1628-29): new technical…Painting with recycled materials: on the morphology of calcite pseudomorphs as evidence of the use of wood ash residues in Baroque paintings (2018)Painting with recycled materi…Studies in Ancient Technology (1966)Arte de la pintura: 10000 (1990)Glass production in Late Antiquity and the Early Islamic period: a geochemical perspective (2006)
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  • 2018Painting with recycled materials: on the morphology of calcite pseudomorphs as evidence of the use of wood ash residues in Baroque paintings10 cited

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