ChapterIntroduction: On Difference, Representation, and Appropriation in MusicGeorgina Born2001OAIntroduction: On Difference, Representation, and Appropriation in MusicGeorgina Born, David Hesmondhalgh2001-12-31chapterUniversity of California Press eBooks125 citationsgreenNo readable copy stored yet — this record is metadata only.Musicology and Musical AnalysisMusic History and CultureDiverse Musicological StudiesAbstractNo abstract was published for this record.Citations in this libraryStored only when both papers are in the corpus — 125 citations exist upstream.Cited by2010The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production2004“Race records” and “hillbilly music”: institutional origins of racial categories in the American commercial recording industry2013The End(s) of Genre2011Jazz in Athens: Frustrated Cosmopolitans in a Music Subculture2020Ecologies of Resonance in Christian Musicking2015Gypsy/Klezmer Dialectics: Jewish and Romani Traces and Erasures in Contemporary European World Music2020Equity in Music Education: Cultural Appropriation Versus Cultural Appreciation—Understanding the Difference2010Contesting the Global Consumption Ethos: Reterritorialization of Rock in Turkey