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The chapter starts with some reflections on the different ways in which scholars (implicitly, if not explicitly) perform visual analysis in their own work. For social movement scholars, in fact, the choice of logos for research centers, the selection of pictures for presentation slides, or the designing of covers for books all signal not only esthetic tastes but also specific conceptions of their object of studies. Moving from these experiences to some empirical analysis of the images collected in the place where young activist Carlo Giuliani was killed during a police charge at the counter summit against the G8 in Genoa in 2001, the chapter suggests some line of reflections on the production and use of images in social movements.
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Stored only when both papers are in the corpus — 14 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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