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A Cultural Good Called Venice
4 references·2 citing·18 second hop
A Cultural Good Called Venice (1992)A Cultural Good Called VeniceThe Joyless Economy (1992)The Joyless EconomyEconomic Policy for the Arts (1980)Economic Policy for the ArtsThe Harried Leisure Class (1970)The Harried Leisure ClassBandwagon, Snob, and Veblen Effects in the Theory of Consumers' Demand (1950)Bandwagon, Snob, and Veblen E…Chapter 33 Culture in International Trade (2006)Chapter 33 Culture in Interna…The ‘Art City’ as A Local Public Good: The Strategic Interplay between Private Donors and Arts Organizations (2003)The ‘Art City’ as A Local Pub…Anarchy, State, and Utopia (1975)Investment under Uncertainty (1994)Investment Under Uncertainty. (1994)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)Coordinating Coordination Failures in Keynesian Models (1988)The Handbook of Economic Sociology. (1995)Public promotion of the ARTS: A survey of means (1990)Comparing cultural policy: Towards the development of comparative study (1995)Art Cities, Cultural Districts and Museums (2004)A Theory of Social Interactions (1974)Income and well-being: an empirical analysis of the comparison income effect (2004)Incentives and Prosocial Behavior (2006)Willing consumers—or locked-in? Policies for a sustainable consumption (2002)The Culture of Affluence: Psychological Costs of Material Wealth (2003)Life in the fast lane? Towards a sociology of technology and time (2008)If we are so rich, why aren't we happy? (1999)Developing creativity in tourist experiences: A solution to the serial reproduction of culture? (2005)EMOTION DYSREGULATION MODEL OF MOOD AND ANXIETY DISORDERS (2012)
this work references cited by second hop

References

  • 1950Bandwagon, Snob, and Veblen Effects in the Theory of Consumers' Demand2,344 cited
  • 1992The Joyless Economy908 cited
  • 1970The Harried Leisure Class573 cited
  • 1980Economic Policy for the Arts31 cited

Cited by

  • 2006Chapter 33 Culture in International Trade14 cited
  • 2003The ‘Art City’ as A Local Public Good: The Strategic Interplay between Private Donors and Arts Organizations4 cited

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