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In-situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts
11 references·11 citing·33 second hop
In-situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts (2008)In-situ fluorimetry: A powerful non-invas…Portable Equipment for Luminescence Lifetime Measurements on Surfaces (2008)Portable Equipment for Lumine…The use of microspectrofluorimetry for the characterization of lake pigments (2007)The use of microspectrofluori…Liquid chromatography determination of natural dyes in extracts from historical Scottish textiles excavated from peat bogs (2005)Liquid chromatography determi…In situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts (2005)In situ fluorimetry: A powerf…The natural constituents of historical textile dyes (2004)The natural constituents of h…Identification of indigoid dyes in natural organic pigments used in historical art objects by high‐performance liquid chromatography coupled to electrospray ionization mass spectrometry (2004)Identification of indigoid dy…Investigation of natural dyes occurring in historical Coptic textiles by high-performance liquid chromatography with UV–Vis and mass spectrometric detection (2003)Investigation of natural dyes…A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)A spectrophotometric and fluo…The Light-Fastness of the Natural Dyes (1966)The Light-Fastness of the Nat…Fading by Light of Organic Dyes on Textiles and Other Materials (1966)Fading by Light of Organic Dy…A Short History of the Orchil Dyes (1966)A Short History of the Orchil…Spectral characterisation of a traditional Mesoamerican dye: relationship between in situ identification on the 16 th century Codex Borbonicus manuscript and composition of Justicia spicigera plant extract (2021)Spectral characterisation of …Identification of Indigo Dye (Indigofera tinctoria) and Its Degradation Products by Separation and Spectroscopic Techniques on Historic Documents and Textile Fibers (2020)Identification of Indigo Dye …New advanced extraction and analytical methods applied to discrimination of different lichen species used for orcein dyed yarns: Preliminary results (2018)New advanced extraction and a…In-situ spectrofluorimetric identification of natural red dyestuffs in ancient tapestries (2017)In-situ spectrofluorimetric i…A new multi analytical approach for the identification of synthetic and natural dyes mixtures. The case of orcein-mauveine mixture in a historical dress of a Sicilian noblewoman of nineteenth century (2017)A new multi analytical approa…Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood (2015)Synchrotron DUV luminescence …Surface enhanced Raman spectroscopic investigation of orchil dyed wool from Roccella tinctoria and Lasallia pustulata (2014)Surface enhanced Raman spectr…An uncovered XIII century icon: Particular use of organic pigments and gilding techniques highlighted by analytical methods (2014)An uncovered XIII century ico…Study of Raman scattering and luminescence properties of orchil dye for its nondestructive identification on artworks (2013)Study of Raman scattering and…Ultraviolet—Visible Absorption and Luminescence Properties of Quinacridone—Barium Sulfate Solid Mixtures (2010)Ultraviolet—Visible Absorptio…CHARACTERIZATION OF TRADITIONAL DYES OF THE MEDITERRANEAN AREA BY NON-INVASIVE UV-VIS-NIR REFLECTANCE SPECTROSCOPY (2010)CHARACTERIZATION OF TRADITION…Fluorescence of Paint and Varnish Layers (Part III) (1982)The photodegradation of some naturally occurring polymers (1996)Colouring materials of pre-Columbian codices: non-invasive in situ spectroscopic analysis of the Codex Cospi (2011)A diagnostic study on folium and orchil dyes with non-invasive and micro-destructive methods (2015)High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)Identification of ancient textiles from Yingpan, Xinjiang, by multiple analytical techniques (2011)Dye Analysis of Pre-Columbian Peruvian Textiles With High-Performance Liquid Chromatography and Diode-Array Detection (1992)HPLC–DAD–MS analysis of dyes identified in textiles from Mount Athos (2011)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Development of Mild Extraction Methods for the Analysis of Natural Dyes in Textiles of Historical Interest Using LC-Diode Array Detector-MS (2005)Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations (2014)Photodegradation mechanisms and kinetics of Eosin-Y in oxic and anoxic conditions (2017)Seeing red: towards an improved protocol for the identification of madder- and cochineal-based pigments by fiber optics reflectance spectroscopy (FORS) (2019)Optimisation of ESI-MS detection for the HPLC of anthraquinone dyes (2007)Vibrational and electronic properties of painting lakes (2008)Assessment of the ageing of triterpenoid paint varnishes using fluorescence, Raman and FTIR spectroscopy (2009)Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations (2011)Non‐invasive micro Raman, SERS and visible reflectance analyses of coloring materials in ancient Moroccan Islamic manuscripts (2012)High-performance liquid chromatographic determination of colouring matters in historical garments from the Holy Mountain of Athos (2007)Phytochemical analysis of young fustic (Cotinus coggygria heartwood) and identification of isolated colourants in historical textiles (2009)Extracting natural dyes from wool—an evaluation of extraction methods (2011)The de Brécy Madonna and Child tondo painting: a Raman spectroscopic analysis (2006)Non-invasive investigation on a VI century purple codex from Brescia, Italy (2013)Towards the identification of the lichen species in historical orchil dyes by HPLC-MS/MS (2019)Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Photochemistry of Artists’ Dyes and Pigments: Towards Better Understanding and Prevention of Colour Change in Works of Art (2018)Colour fading in textiles: A model study on the decomposition of natural dyes (2006)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)A spectrometric and chromatographic approach to the study of ageing of madder (Rubia tinctorum L.) dyestuff on wool (2007)Fibre optic reflectance spectroscopy and multispectral imaging for the non-invasive investigation of Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) (2018)Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)
this work references cited by second hop

References

  • 2004The natural constituents of historical textile dyes433 cited
  • 2003Investigation of natural dyes occurring in historical Coptic textiles by high-performance liquid chromatography with UV–Vis and mass spectrometric detection148 cited
  • 1998A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings135 cited
  • 1966The Light-Fastness of the Natural Dyes135 cited
  • 2004Identification of indigoid dyes in natural organic pigments used in historical art objects by high‐performance liquid chromatography coupled to electrospray ionization mass spectrometry116 cited
  • 2007The use of microspectrofluorimetry for the characterization of lake pigments108 cited
  • 2005Liquid chromatography determination of natural dyes in extracts from historical Scottish textiles excavated from peat bogs94 cited
  • 2005In situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts68 cited
  • 2008Portable Equipment for Luminescence Lifetime Measurements on Surfaces54 cited
  • 1966A Short History of the Orchil Dyes49 cited
  • 1966Fading by Light of Organic Dyes on Textiles and Other Materials49 cited

Cited by

  • 2010Ultraviolet—Visible Absorption and Luminescence Properties of Quinacridone—Barium Sulfate Solid Mixtures39 cited
  • 2014Surface enhanced Raman spectroscopic investigation of orchil dyed wool from Roccella tinctoria and Lasallia pustulata

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30 cited
  • 2013Study of Raman scattering and luminescence properties of orchil dye for its nondestructive identification on artworks30 cited
  • 2010CHARACTERIZATION OF TRADITIONAL DYES OF THE MEDITERRANEAN AREA BY NON-INVASIVE UV-VIS-NIR REFLECTANCE SPECTROSCOPY28 cited
  • 2017A new multi analytical approach for the identification of synthetic and natural dyes mixtures. The case of orcein-mauveine mixture in a historical dress of a Sicilian noblewoman of nineteenth century26 cited
  • 2018New advanced extraction and analytical methods applied to discrimination of different lichen species used for orcein dyed yarns: Preliminary results22 cited
  • 2014An uncovered XIII century icon: Particular use of organic pigments and gilding techniques highlighted by analytical methods18 cited
  • 2015Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood17 cited
  • 2017In-situ spectrofluorimetric identification of natural red dyestuffs in ancient tapestries15 cited
  • 2021Spectral characterisation of a traditional Mesoamerican dye: relationship between in situ identification on the 16 th century Codex Borbonicus manuscript and composition of Justicia spicigera plant extract14 cited
  • 2020Identification of Indigo Dye (Indigofera tinctoria) and Its Degradation Products by Separation and Spectroscopic Techniques on Historic Documents and Textile Fibers13 cited