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Embodying eclecticism from potential to actualization
9 references·0 citing·32 second hop
Embodying eclecticism from potential to actualization (2014)Embodying eclecticism from potential to a…On the Value of Mistranslations and Contaminations: The Category of “Contemporary Choreography” in Asian Dance (2013)On the Value of Mistranslatio…Nomadic Theory: The Portable Rosi Braidotti (2012)Nomadic Theory: The Portable …Exotic Identities: Dance, Difference, and Self-fashioning (2011)Exotic Identities: Dance, Dif…Navigating the unknown: the creative process in contemporary performing arts (2006)Navigating the unknown: the c…Deleuze and Performance (2005)Deleuze and PerformanceThe body, dance and cultural theory (2004)The body, dance and cultural …Choreographing difference: the body and identity in contemporary dance (1998)Choreographing difference: th…Art and Fear: Observations on the Perils (and Rewards) of Artmaking (1998)Art and Fear: Observations on…Free Play: Improvisation in Life and Art (1990)Free Play: Improvisation in L…Mimesis and alterity: a particular history of the senses (1993)Unbearable Weight: Feminism, Western Culture and the Body. (1995)Reflections on exile and other essays (2001)Belly Dance as an Embodying Activity?: A Test of the Embodiment Model of Positive Body Image (2014)Considerations of positive body image across various social identities and special populations (2015)Unveiling the subject behind diversity: Exploring the micro-politics of representation in ethnic minority creatives’ identity work (2017)On Unthinking Eurocentrism: Multiculturalism and the Media (1995)Friction: An Ethnography of Global Connection (2004)The Location of Culture (2012)Outsider Histories, Insider Artists, Cross-Cultural Ensembles: Visiting with Disability Presences in Contemporary Art Environments (2014)Crafting fidelity: pedagogical creativity in kathak dance (2015)Sonic Hospitality: Migration, Community, and Music (2012)The Irish World Music Café: Performing and Recording as Tools for Sustainable Social Integration (2017)The Untidy Playground: An Irish Congolese Case Study in Sonic Encounters with the Sacred Stranger (2017)Organizational Improvisation and Organizational Memory (1998)Speech Play and Verbal Art (2002)The mirror game as a paradigm for studying the dynamics of two people improvising motion together (2011)… And … and … and … The Transversal Politics of Performative Encounters (2012)How do you make a classroom operate like a work of art? Deleuzeguattarian methodologies of research-creation (2014)The Drama Spiral: A Decision-Making Model for Safe, Ethical, and Flexible Practice when Incorporating Personal Stories in Applied Theatre and Performance (2017)Afterwords (2000)Performing Autoethnography: An Embodied Methodological Praxis (2001)Dancing Postcolonialism (2007)‘Just Crumbling to Bits’? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers (2006)Keeping up Appearances: Aesthetic Labour in the Fashion Modelling Industries of London and New York (2006)Perceiving subjectivity in bodily movement: The case of dancers (2009)Writers' Workshops & the Work of Making Things (2002)The use of reflective artmaking in pre‐service education (2004)Studio Interior: Investigating Undergraduate Studio Art Teaching and Learning (2013)New Materialism: Interviews & Cartographies (2012)Posthuman Humanities (2013)Things We Could Design (2021)
this work references cited by second hop

References

  • 2012Nomadic Theory: The Portable Rosi Braidotti735 cited
  • 1990Free Play: Improvisation in Life and Art457 cited
  • 1998Choreographing difference: the body and identity in contemporary dance331 cited
  • 2004The body, dance and cultural theory124 cited
  • 1998Art and Fear: Observations on the Perils (and Rewards) of Artmaking65 cited
  • 2006Navigating the unknown: the creative process in contemporary performing arts51 cited
  • 2005Deleuze and Performance41 cited
  • 2011Exotic Identities: Dance, Difference, and Self-fashioning41 cited
  • 2013On the Value of Mistranslations and Contaminations: The Category of “Contemporary Choreography” in Asian Dance35 cited

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