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“Big Fat Fish”: The Hypersexualization of the Fat Female Body in Calypso and Dancehall
6 references·2 citing·25 second hop
“Big Fat Fish”: The Hypersexualization of the Fat Female Body in Calypso and Dancehall (2005)“Big Fat Fish”: The Hypersexualization of…Public Spectacles: Caribbean Women and the Politics of Public Performance (2003)Public Spectacles: Caribbean …Wake the Town and Tell the People: Dancehall Culture in Jamaica (2002)Wake the Town and Tell the Pe…Wake the Town and Tell the People: Dancehall Culture in Jamaica (2001)Wake the Town and Tell the Pe…Noises in the Blood: Orality, Gender, and the "Vulgar" Body of Jamaican Popular Culture. (1997)Noises in the Blood: Orality,…Noises in the blood: orality, gender, and the "vulgar" body of Jamaican popular culture (1995)Noises in the blood: orality,…On the Origin of the Term Calypso (1967)On the Origin of the Term Cal…“Fearfully and wonderfully made”: Black Caribbean women and the decolonization of thick Black female bodies (2020)“Fearfully and wonderfully ma…“Why Must All Girls Want to be Flag Women?” (2010)“Why Must All Girls Want to b…The Dialogic Imagination: Four Essays (1982)States of Injury (1995)The Location of Culture (2012)Sugar's secrets: race and the erotics of Cuban nationalism (1994)Making space: Kingston's Dancehall culture and its philosophy of ‘boundarylessness’1 (2004)Making the Perfect Queen: The Cultural Production of Identities in Beauty Pageants (2007)Intimate partner violence in the Caribbean: State, activist and media responses (2015)A Hausa-English dictionary and English-Hausa vocabulary (1934)The “Caribbean Man”: A Study in the Psychology of Perception and the Media (1981)Calypso and the Performance of Representational Politics (2012)Music competitions, public pedagogy and decolonisation in Trinidad and Tobago (2019)Focus Groups as Qualitative Research (1997)Strategies for ensuring trustworthiness in qualitative research projects (2004)Using thematic analysis in psychology (2006)Rethinking Global and Area Studies: Insights from Caribbeanist Anthropology (2003)From Kinship to Link‐up (2005)Trouble en Route: Drug Trafficking and Clientelism in Rio de Janeiro Shantytowns (2006)Very Straight Sex: The Development of Sexual Mores in Jamaica (2001)Out and Bad: Toward a Queer Performance Hermeneutic in Jamaican Dancehall (2011)Shadowboxing in the Mangrove (1997)Fear of a Black Nation: Local Rappers, Transnational Crossings, and State Power in Contemporary Cuba (2003)Demonic Grounds: Black Women And The Cartographies Of Struggle (2006)‘But Most of all mi Love me Browning’: The Emergence in Eighteenth and Nineteenth-Century Jamaica of the Mulatto Woman as the Desired (2000)Taking young people as political actors seriously: opening the borders of political geography (2009)Mobility and the humanities (2017)
this work references cited by second hop

References

  • 2001Wake the Town and Tell the People: Dancehall Culture in Jamaica358 cited
  • 1997Noises in the Blood: Orality, Gender, and the "Vulgar" Body of Jamaican Popular Culture.270 cited
  • 1995Noises in the blood: orality, gender, and the "vulgar" body of Jamaican popular culture238 cited
  • 2002Wake the Town and Tell the People: Dancehall Culture in Jamaica130 cited
  • 2003Public Spectacles: Caribbean Women and the Politics of Public Performance41 cited
  • 1967On the Origin of the Term Calypso36 cited

Cited by

  • 2020“Fearfully and wonderfully made”: Black Caribbean women and the decolonization of thick Black female bodies18 cited
  • 2010“Why Must All Girls Want to be Flag Women?”6 cited

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