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Butch Morris and the Art of Conduction
16 references·2 citing·34 second hop
Butch Morris and the Art of Conduction (2009)Butch Morris and the Art of ConductionA power stronger than itself: the AACM and American experimental music (2009)A power stronger than itself:…Background Noise: Perspectives on Sound Art (2006)Background Noise: Perspective…Audiotopia: music, race, and America (2006)Audiotopia: music, race, and …Time, Place, and Metaphor in Musical Experience and Ethnography (2003)Time, Place, and Metaphor in …Themes in the philosophy of music (2003)Themes in the philosophy of m…"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music (2003)"Should One Applaud?" Breache…Learning to perform as a research technique in ethnomusicology* (2001)Learning to perform as a rese…Riffs, Repetition, and Theories of Globalization (1999)Riffs, Repetition, and Theori…In the Course of Performance: Studies in the World of Musical Improvisation (1999)In the Course of Performance:…Thinking in jazz: the infinite art of improvisation (1995)Thinking in jazz: the infinit…It's Not About a Salary...: Rap, Race, and Resistance in Los Angeles (1995)It's Not About a Salary...: R…The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Imaginary Museum of Music…Subcultural Sounds: Micromusics of the West (1993)Subcultural Sounds: Micromusi…A Thousand Plateaus: Capitalism and Schizophrenia (1989)A Thousand Plateaus: Capitali…Toward the Remodeling of Ethnomusicology (1987)Toward the Remodeling of Ethn…THOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH (1974)THOUGHTS ON IMPROVISATION: A …Teaching free improvisation: European higher music education teachers’ conceptual tools (2024)Teaching free improvisation: …A New Generation Emerges (2023)A New Generation EmergesThe Fame of Gawa: A Symbolic Study of Value Transformation in a Massim (Papua New Guinea) Society (1989)On Collective Memory (1992)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Discourse Analysis as Theory and Method (2002)The Practice Turn in Contemporary Theory (2005)3.2. MARXISM AND LITERATURE (2006)Outline of a Theory of Practice. (1980)Studying Popular Music (1990)Hip-Hop Drumming: The Rhyme May Define, but the Groove Makes You Move (2002)Transnational circulation and digital fatigue in Ghana's Azonto dance craze (2013)Cognitive Processes in Improvisation (1984)Decision support for improvisation in response to extreme events: Learning from the response to the 2001 World Trade Center attack (2005)A Cognitive Model of Improvisation in Emergency Management (2007)Popular Culture as Oppositional Culture: Rap as Resistance (1997)‘Represent’: race, space and place in rap music (2000)Deadly Symbiosis (2001)Do You Want Queer Theory (or Do You Want the Truth)? Intersections of Punk and Queer in the 1970s (2007)Nor-tec Rifa! (2008)Soul Vibrations: Black Music and Black Freedom in Sound and Space (2011)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Actor-Networks in Music History: Clarifications and Critiques (2014)Organizational Improvisation and Organizational Memory (1998)Organizational Improvisation and Learning: A Field Study (2001)Improvising firms: bricolage, account giving and improvisational competencies in the founding process (2003)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)The End(s) of Genre (2013)Improvisation and Social Aesthetics (2017)Balance Problems: Neoliberalism and New Music in the American University and Ensemble (2018)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)Beyond Representation and Signification: Toward a Sonic Materialism (2011)
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References

  • 1989A Thousand Plateaus: Capitalism and Schizophrenia22,694 cited
  • 1995Thinking in jazz: the infinite art of improvisation793 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 1993Subcultural Sounds: Micromusics of the West465 cited
  • 2006Background Noise: Perspectives on Sound Art432 cited
  • 1995It's Not About a Salary...: Rap, Race, and Resistance in Los Angeles241 cited
  • 1974THOUGHTS ON IMPROVISATION: A COMPARATIVE APPROACH216 cited
  • 1999Riffs, Repetition, and Theories of Globalization151 cited
  • 2009A power stronger than itself: the AACM and American experimental music151 cited
  • 2006Audiotopia: music, race, and America145 cited
  • 2003"Should One Applaud?" Breaches and Boundaries in the Reception of New Technology in Music116 cited
  • 1987Toward the Remodeling of Ethnomusicology105 cited
  • 2003Time, Place, and Metaphor in Musical Experience and Ethnography102 cited
  • 1999In the Course of Performance: Studies in the World of Musical Improvisation86 cited
  • 2001Learning to perform as a research technique in ethnomusicology*82 cited

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2003
Themes in the philosophy of music
78 cited

Cited by

  • 2024Teaching free improvisation: European higher music education teachers’ conceptual tools4 cited
  • 2023A New Generation Emerges0 cited