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Brave New Worlds: Transforming Museum Ethnography through Technology - An Introduction
6 references·0 citing·26 second hop
Brave New Worlds: Transforming Museum Ethnography through Technology - An Introduction (2014)Brave New Worlds: Transforming Museum Eth…Te Ataakura: Digital taonga and cultural innovation (2012)Te Ataakura: Digital taonga a…Digital Subjects, Cultural Objects: Special Issue introduction (2012)Digital Subjects, Cultural Ob…Savage bodies, civilized pleasures: M. V. Portman and the Andamanese (2009)Savage bodies, civilized plea…Visiting the Virtual Museum: Art and Experience Online (2006)Visiting the Virtual Museum: …Colonial Photography and Exhibitions: Representations of the Native and the Making of European Identities (2000)Colonial Photography and Exhi…Picturing Empire: Photography and the Visualization of the British Empire (1999)Picturing Empire: Photography…History of Sexuality Vol. 2, Introduction (1990)Imperial leather: race, gender and sexuality in the colonial contest (1996)Colonialism and its forms of knowledge: the British in India (1997)Lascars through the colonial lens: reconsidering visual sources of South Asian sailors from the twentieth century (2014)Un savoir incertain. La photographie et le document anthropologique au tournant du xxe siècle (2018)Governing Gender and Sexuality in Colonial India: The Hijra, c.1850–1900 (2019)The Internet : An Ethnographic Approach (2000)INVOKING AFFECT (2005)Thinking Through Things (2007)Digital lives in postcolonial Aboriginal Australia (2013)Introduction: After the return (2013)Encoding the haunting of an object catalogue: on the potential of digital technologies to perpetuate or subvert the silence and bias of the early-modern archive (2021)Cutting the Network (1996)Virtual Society?: Technology, Cyberbole, Reality (2002)Old objects, new media: Historical collections, digitization and affect (2012)Protecting indigenous cultural property in the age of digital democracy: Institutional and communal responses to Canadian First Nations and Māori heritage concerns (2012)Digitisation, digital interaction and social media: embedded barriers to democratic heritage (2016)Digital heritage in a Melanesian context: authenticity, integrity and ancestrality from the other side of the digital divide (2014)A digital museum’s contribution to diversity – a user study (2018)Digital Intangible Heritage: Inventories, Virtual Learning and Participation (2019)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)Imaging Humanitarianism: NGO Identity and the Iconography of Childhood (2008)Imperial Archipelago (2010)Family photographs and domestic spacings: a case study (2003)Memory and place: geographies of a critical relationship (2004)Geopolitics and visuality: Sighting the Darfur conflict (2007)
this work references cited by second hop

References

  • 1999Picturing Empire: Photography and the Visualization of the British Empire283 cited
  • 2000Colonial Photography and Exhibitions: Representations of the Native and the Making of European Identities180 cited
  • 2012Te Ataakura: Digital taonga and cultural innovation44 cited
  • 2009Savage bodies, civilized pleasures: M. V. Portman and the Andamanese40 cited
  • 2012Digital Subjects, Cultural Objects: Special Issue introduction38 cited
  • 2006Visiting the Virtual Museum: Art and Experience Online26 cited

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