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The Metaphysics of Jazz
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The Metaphysics of Jazz (2000)The Metaphysics of JazzCultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration (2026)Cultural identity and transna…Improvisation as a Method of Composition: Reconciling the Dichotomy (2022)Improvisation as a Method of …We Make Up the Rules as We Go Along: Improvisation as an Essential Aspect of Human Practices? (2020)We Make Up the Rules as We Go…Why Play the Notes? Indirect Aesthetic Normativity in Performance (2019)Why Play the Notes? Indirect …Jazz and Musical Works: Hypnotized by the Wrong Model (2018)Jazz and Musical Works: Hypno…A Return to Musical Idealism (2017)A Return to Musical IdealismMusic and Ethical Responsibility (2014)Music and Ethical Responsibil…Creativity in Jazz (2014)Creativity in JazzPaganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology (2012)Paganini Does Not Repeat. Mus…The jazz image: seeing music through Herman Leonard's photography (2011)The jazz image: seeing music …Philosophy of Music (2011)Philosophy of MusicThe Jazz Image (2010)The Jazz ImageWorks, Recordings, Performances: Classical, Rock, Jazz (2008)Works, Recordings, Performanc…Musical Works: Ontology and Meta‐Ontology (2008)Musical Works: Ontology and M…Creativity and Learning Jazz: The Practice of “Listening” (2008)Creativity and Learning Jazz:…Events as Property Exemplifications (1976)Sameness and Substance (1981)The imaginary museum of musical works: an essay in the philosophy of music (1993)Ontology and the Regulation of Intellectual Property (2010)Multiplicity, Audibility, and Musical Continuity (2020)Musical Ontology and the Audibility of Musical Works (2023)The Presentation of Self in Everyday Life. (1956)The Logic of Practice (1990)The Presentation of Self in Everyday Life (2023)Thinking in jazz: the infinite art of improvisation (1995)Improvisation and the Creative Process: Dewey, Collingwood, and the Aesthetics of Spontaneity (2000)Musical Works and Performances (2001)Improvisation in the Arts (2015)We have never been modern (1994)Representation: Cultural representations and signifying practices. (1997)Distinction: A Social Critique of the Judgement of Taste* (2018)Categories of Art (1970)Individuals: An Essay in Descriptive Metaphysics (1979)Performing rites: on the value of popular music (1997)Piece for the End of Time: In Defence of Musical Ontology (2008)Rhythm and Noise: An Aesthetics of Rock (1996)Art and its Objects (2015)Musical Works as Structural Universals (2021)An Ontology of Multiple Artworks (2024)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)Visions of Jazz: The First Century (1998)Choreography Invisible (2020)A Treatise of Human Nature (1739)Morals by Agreement (1987)The Work of Art in the Age of Mechanical Reproduction (2007)Aesthetic obligations (2020)A twist on the historically authentic musical performance (2024)Speech Acts (1969)Phenomenology of Perception (1982)The Human Condition (1998)Systemic and Structural Injustice: Is There a Difference? (2022)The paradox of social interaction: Shared intentionality, we-reasoning, and virtual bargaining. (2022)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Postmodernism, or, The cultural logic of late capitalism (1991)Just Vibrations (2016)Artistic Creation and Ethical Criticism (2020)Music, Encounter, Togetherness (2024)
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Cited by

  • 2014Music and Ethical Responsibility120 cited
  • 2008Musical Works: Ontology and Meta‐Ontology41 cited
  • 2019Why Play the Notes? Indirect Aesthetic Normativity in Performance39 cited
  • 2020We Make Up the Rules as We Go Along: Improvisation as an Essential Aspect of Human Practices?35 cited
  • 2017A Return to Musical Idealism31 cited
  • 2008Creativity and Learning Jazz: The Practice of “Listening”23 cited
  • 2010The Jazz Image13 cited
  • 2018Jazz and Musical Works: Hypnotized by the Wrong Model11 cited
  • 2012Paganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology8 cited
  • 2008Works, Recordings, Performances: Classical, Rock, Jazz8 cited
  • 2011The jazz image: seeing music through Herman Leonard's photography6 cited
  • 2014Creativity in Jazz5 cited
  • 2022Improvisation as a Method of Composition: Reconciling the Dichotomy4 cited
  • 2011Philosophy of Music4 cited
  • 2026Cultural identity and transnational heritage in contemporary jazz: a practice-based study of composition and collaboration3 cited

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