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The South Korean film renaissance: local hitmakers, global provocateurs
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Cited by

  • 2013Girls’ Generation? Gender, (Dis)Empowerment, and K-pop11 cited
  • 2022New directions in K-drama studies10 cited
  • 2015Genre, Translation, and Transnational Cinema: Kim Jee-woon’s The Good, the Bad, the Weird9 cited
  • 2020South Korean Cine-Feminism on the Move7 cited
  • 2016Reading the ‘new world’: neoliberalism in the South Korean gangster film6 cited
  • 2013Birth, Death, and Resurrection of Group Sound Rock5 cited
  • 2014South Korean Cinema’s Postwar Pain: Gender and National Division in Korean War Films from the 1950s to the 2000s5 cited
  • 2013Hong Sang-soo and the film essay5 cited
  • 2013South Korean Advertising as Popular Culture4 cited
  • 2022K-Drama 2.0: updating tropes with intertextuality and cinematic visuals in Crash Landing on You4 cited
  • 2016Sliding through genres: The Slippery Structure in South Korean films4 cited

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