SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Signatures of the Visible
0 references·16 citing·49 second hop
Signatures of the Visible (1992)Signatures of the VisibleNostalgia is not what it used to be: heritage films, nostalgia websites and contemporary consumers (2013)Nostalgia is not what it used…De-framing the Indigenous Body. Ethnography, Landscape and Cultural Belonging in the Art of Pia Arke (2012)De-framing the Indigenous Bod…Are Some Things Unrepresentable? (2011)Are Some Things Unrepresentab…Visibility (2007)VisibilityTroy: from Homer's Iliad to Hollywood epic (2007)Troy: from Homer's Iliad to H…Language Wants To Be Overlooked: On Software and Ideology (2006)Language Wants To Be Overlook…Narrative and Media (2005)Narrative and MediaCEO Portraits and the Authenticity Paradox* (2005)CEO Portraits and the Authent…Transnational imagination in action cinema: Hong Kong and the making of a global popular culture (2004)Transnational imagination in …Recycled culture in contemporary art and film: the uses of nostalgia (2004)Recycled culture in contempor…Marxism and media studies: key concepts and contemporary trends (2004)Marxism and media studies: ke…Beyond Bollywood : the cultural politics of South Asian diasporic film (2004)Beyond Bollywood : the cultur…Empathy, Pornography, and Suffering (2003)Empathy, Pornography, and Suf…Art and Aesthetics at Work (2003)Art and Aesthetics at Work"Delicious Horrors": Mass Culture, The Red Cross, and the Appeal of Modern American Humanitarianism (2003)"Delicious Horrors": Mass Cul…Feminist Visualization: Re-envisioning GIS as a Method in Feminist Geographic Research (2002)Feminist Visualization: Re-en…A Thousand Plateaus: Capitalism and Schizophrenia (1989)Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Imagining the Fractured East Asian Modern: Commonality and Difference in Mass-Cultural Production (2012)The future of nostalgia (2001)The production and consumption activities relating to the celebrity artist (2014)Experiencing ethical retail ideology in the servicescape (2020)Time to imagine an escape: investigating the consumer timework at play in augmented reality (2023)KEEPING AN EYE ON THE MIRROR: IMAGE AND IDENTITY IN ORGANIZATIONAL ADAPTATION. (1991)Organizational Identity, Image, and Adaptive Instability (2000)The impossibility of the ‘true self’ of authentic leadership (2011)Visual Management Studies: Empirical and Theoretical Approaches* (2012)The Routledge Companion to Visual Organization (2014)An Introduction to Visual Culture (2023)Difference and repetition (1994)Introduction (2014)Doing the transparent state: Open government data as performance indicators (2015)Lobbying and the responsible firm: Agenda‐setting for a freshly conceptualized field (2018)Understanding Media: The Extensions of Man (1964)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)Policing's New Visibility (2010)Celebrity capital: redefining celebrity using field theory (2013)Behavioral Visibility: A new paradigm for organization studies in the age of digitization, digitalization, and datafication (2020)Of Other Spaces (1986)Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)The Location of Culture (2012)Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork (2022)Gender Trouble: Feminism and the Subversion of Identity (1991)Discipline and Punish: The Birth of the Prison. (1996)Critical Issues in Participatory GIS: Deconstructions, Reconstructions, and New Research Directions (2006)Participatory GIS — a people's GIS? (2007)Beyond Space (As We Knew It): Toward Temporally Integrated Geographies of Segregation, Health, and Accessibility (2013)What Do Pictures Want? (2005)Specters of Marx: The State of the Debt, the Work of Mourning, and the New International (2010)Codes and Codings in Crisis (2011)Crisis, Crisis, Crisis, or Sovereignty and Networks (2011)Specters of Marx (2012)Digital political infographics: A rhetorical palette of an emergent genre (2018)How To Do Things With Words (1975)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Bollywood in the Indian-American diaspora (2005)QUEERING CITIZENSHIP? (2005)Shifting analytics and linking theories: A conversation about the “meaning-making” of intersectionality and transnational feminism (2015)61. Capitalism and Freedom (2002)Indian media and its transformed public (2010)Creativity and its Discontents (2012)Social Media, Mediation and the Arab Revolutions (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2007Visibility679 cited
  • 2002Feminist Visualization: Re-envisioning GIS as a Method in Feminist Geographic Research635 cited
  • 2005CEO Portraits and the Authenticity Paradox*198 cited
  • 2004Beyond Bollywood : the cultural politics of South Asian diasporic film156 cited
  • 2011Are Some Things Unrepresentable?115 cited
  • 2013Nostalgia is not what it used to be: heritage films, nostalgia websites and contemporary consumers107 cited
  • 2006Language Wants To Be Overlooked: On Software and Ideology88 cited
  • 2004Marxism and media studies: key concepts and contemporary trends87 cited
  • 2004Transnational imagination in action cinema: Hong Kong and the making of a global popular culture81 cited
  • 2012De-framing the Indigenous Body. Ethnography, Landscape and Cultural Belonging in the Art of Pia Arke75 cited
  • 2003Art and Aesthetics at Work74 cited
  • 2005Narrative and Media69 cited
  • 2003Empathy, Pornography, and Suffering68 cited
  • 2007Troy: from Homer's Iliad to Hollywood epic66 cited
  • 2003"Delicious Horrors": Mass Culture, The Red Cross, and the Appeal of Modern American Humanitarianism

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

62 cited
  • 2004Recycled culture in contemporary art and film: the uses of nostalgia60 cited