SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Routledge Companion to the Cultural Industries
0 references·16 citing·54 second hop
The Routledge Companion to the Cultural Industries (2015)The Routledge Companion to the Cultural I…Weapons of the Chic: Instagram Influencer Engagement Pods as Practices of Resistance to Instagram Platform Labor (2019)Weapons of the Chic: Instagra…Entrepreneurial Activism? Platform Cooperativism Between Subversion and Co-optation (2019)Entrepreneurial Activism? Pla…A scoping review of digital game-based technology on English language learning (2019)A scoping review of digital g…Whose cultural value? Representation, power and creative industries (2018)Whose cultural value? Represe…Urban cultural policy and creative city making (2017)Urban cultural policy and cre…Resistance and Resignation: Responses to Typecasting in British Acting (2017)Resistance and Resignation: R…Producing and Consuming Inequality: A Cultural Sociology of the Cultural Industries (2017)Producing and Consuming Inequ…Manufacturing and cultural production: Towards a progressive policy agenda for the cultural economy (2017)Manufacturing and cultural pr…Inside the whale (and how to get out of there): Moving on from two decades of creative industries research (2017)Inside the whale (and how to …Entrepreneurial solutionism, characteristic cultural industries and the Chinese dream (2017)Entrepreneurial solutionism, …Curating the “Third Place”? Coworking and the mediation of creativity (2017)Curating the “Third Place”? C…‘Culture is a Meritocracy’: Why Creative Workers’ Attitudes may Reinforce Social Inequality (2017)‘Culture is a Meritocracy’: W…The creative economy: invention of a global orthodoxy (2016)The creative economy: inventi…Socio‐economic profile and working conditions of freelancers in co‐working spaces and work collectives: evidence from the design sector in Greece (2016)Socio‐economic profile and wo…The dance goes on forever? Art schools, class and UK higher education (2015)The dance goes on forever? Ar…Interrogating Creative Theory and Creative Work: Inside the Games Studio (2015)Interrogating Creative Theory…Buzz: face-to-face contact and the urban economy (2004)Clusters and knowledge: local buzz, global pipelines and the process of knowledge creation (2004)Proximity and Innovation: A Critical Assessment (2005)The ambivalence of coworking: On the politics of an emerging work practice (2017)Towards an Economy of Encounters? A critical study of affectual assemblages in coworking (2017)“Coworking Is About Community”: But What Is “Community” in Coworking? (2018)Organizational Learning and Communities-of-Practice: Toward a Unified View of Working, Learning, and Innovation (1991)Situated Learning: Legitimate Peripheral Participation. (1994)‘We are all herd animals’: Community and organizationality in coworking spaces (2019)Coworking in the digital economy: Context, motivations, and outcomes (2019)The third wave of coworking: ‘Neo-corporate’ model versus ‘resilient’ practice (2019)The Death and Life of Great American Cities (1962)The Rise of the Creative Class (2002)The Death and Life of Great American Cities (2015)Advancing Manufacturing?: Blinkered Visions in U.S. and Australian Urban Policy (2018)Artisan, cultural and tourism entrepreneurship (2019)Platform Spaces: When culture and the arts intersect territorial development and social innovation, a view from the Italian context (2020)Distinction. A Social Critique of the Judgement of Taste (1985)Cities and the Geographies of “Actually Existing Neoliberalism” (2002)Struggling with the Creative Class (2005)The social and cultural values of live music: Sustaining urban live music ecologies (2019)Festivals, public space and cultural inclusion: public policy insights (2020)Urban suburbia: Gentrification and spatial inequality in workers' communities in Tokyo (2023)Distinction: A Social Critique of the Judgement of Taste. (1985)The Field of Cultural Production (1994)Distinction: A Social Critique of the Judgement of Taste* (2018)Cultural industries in international business research: Progress and prospect (2020)Seeing like an infrastructure: avidity and difference in algorithmic recommendation (2021)Interaction Ritual Chains (2004)Global assemblages: technology, politics, and ethics as anthropological problems (2005)Identifying the factors determining the entrepreneurial ecosystem of internet cultural industries in emerging economies (2019)Platformization of the Unlikely Creative Class: Kuaishou and Chinese Digital Cultural Production (2019)Tracing Weibo (2009–2019): The commercial dissolution of public communication and changing politics (2020)Fourth Industrial Revolution (2021)Multiculturalism (1994)Multiculturalism: Examining the Politics of Recognition. (1994)Devalued women, valued men: motherhood, class and neoliberal feminism in the creative media industries (2019)From Passion to Compassion: A Caring Inquiry into Creative Work as Socially Engaged Art (2020)Who cares? At what price? The hidden costs of socially engaged arts labour and the moral failure of cultural policy (2021)Scoping studies: towards a methodological framework (2005)The SAGE handbook of qualitative research (2005)Educational Research: Quantitative, Qualitative, and Mixed Approaches (2007)Digital Game-Based Learning effectiveness assessment: Reflections on study design (2021)Exploring teacher immediacy-(non)dependency in the tutored augmented reality game-assisted flipped classrooms of English for medical purposes comprehension among the Asian students (2021)A triangulation method on the effectiveness of digital game-based language learning for vocabulary acquisition (2023)Innovation and Entrepreneurship (1985)The Theory of Economic Development (2003)Undoing the Demos (2015)Labor and Monopoly Capital (1974)The New Spirit of Capitalism (2005)The Black Box Society (2015)Algorithmic precarity in cultural work (2020)Social media influencers and consumer engagement: A review and future research agenda (2023)Queering algorithms: LGBTQ+ content creators’ non-conforming and non-confronting workarounds to digital normativity in China (2024)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2017Curating the “Third Place”? Coworking and the mediation of creativity253 cited
  • 2019A scoping review of digital game-based technology on English language learning162 cited
  • 2019Weapons of the Chic: Instagram Influencer Engagement Pods as Practices of Resistance to Instagram Platform Labor161 cited
  • 2018Whose cultural value? Representation, power and creative industries158 cited
  • 2017Urban cultural policy and creative city making157 cited
  • 2019Entrepreneurial Activism? Platform Cooperativism Between Subversion and Co-optation125 cited
  • 2017Manufacturing and cultural production: Towards a progressive policy agenda for the cultural economy88 cited
  • 2016Socio‐economic profile and working conditions of freelancers in co‐working spaces and work collectives: evidence from the design sector in Greece80 cited
  • 2017Entrepreneurial solutionism, characteristic cultural industries and the Chinese dream78 cited
  • 2017Producing and Consuming Inequality: A Cultural Sociology of the Cultural Industries68 cited
  • 2017Inside the whale (and how to get out of there): Moving on from two decades of creative industries research67 cited
  • 2015The dance goes on forever? Art schools, class and UK higher education65 cited
  • 2017Resistance and Resignation: Responses to Typecasting in British Acting

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

60 cited
  • 2015Interrogating Creative Theory and Creative Work: Inside the Games Studio59 cited
  • 2016The creative economy: invention of a global orthodoxy59 cited
  • 2017‘Culture is a Meritocracy’: Why Creative Workers’ Attitudes may Reinforce Social Inequality54 cited