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Introduction: Journal of Dramatic Theory and Criticism’s Special Section on Cognitive Studies, Theatre, and Performance
15 references·0 citing·28 second hop
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this work references cited by second hop

References

  • 2000The feeling of what happens: body and emotion in the making of consciousness5,997 cited
  • 2002The way we think: conceptual blending and the mind's hidden complexities5,327 cited
  • 1996A dynamic systems approach to the development of cognition and action3,453 cited
  • 2000A Universe of Consciousness: How Matter Becomes Imagination778 cited
  • 2001A Universe of Consciousness: How Matter Becomes Imagination766 cited
  • 1995A Dynamic Systems Approach to the Development of Cognition and Action375 cited
  • 2009Engaging audiences: a cognitive approach to spectating in the theatre180 cited
  • 2007The Actor, Image, and Action: Acting and Cognitive Neuroscience126 cited
  • 2016Neural Geographies118 cited
  • 2006Performance and Cognition109 cited
  • 2001Unity of knowledge: The convergence of natural and human science.92 cited
  • 2010Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance through Cognitive Science74 cited
  • 2011Toward a General Theory of Acting45 cited
  • 2001Method acting reconsidered: theory, practice, future45 cited
  • 2012Toward a general theory of acting: cognitive science and performance31 cited

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