'Poison' in the Sirkian system: the political agenda of Todd Haynes's 'Far From Heaven'

Abstract

Todd Haynes is one of the most controversial directors of contemporary cinema. From his student film Superstar: The Karen Carpenter Story (1987), to his most controversial, Poison (1991), Haynes has continually challenged spectators' expectations by making the familiar appear unfamiliar and evoking a sense of the unusual, strange, or queer within everyday lives. Committed to an agenda of political filmmaking, Haynes's films not only subvert Hollywood's storytelling conventions and assail the spectator with challenging images (especially Poison) but also ask the spectator to acknowledge the alienation of minority groups from mainstream society.

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