Gil de Encinas y Bartolomé de Santa Cruz en el retablo de Horcajo de las Torres (Ávila) y su relación con el taller del Maestro de Astorga

Irune Fiz Fuertes

1 citations0/0 files storedDialnet (Universidad de la Rioja)

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Historical Art and Architecture Studies Early Modern Spanish Literature Historical Studies of Medieval Iberia

Abstract

Connection between documentation and formal analysis allows to link the Horcajo de las Torres’ altarpiece panels with the prolific school of Master of Astorga, especially with his production in Zamora, due to the painter Gil de Encinas.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Imported from OpenAlex (CC0) — nothing here is generated.