SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Removal of Varnish From Paper Artifacts
7 references·0 citing·22 second hop
Removal of Varnish From Paper Artifacts (1992)Removal of Varnish From Paper ArtifactsPainting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Ancient Binding Media, Varnishes and Adhesives (1995)Ancient Binding Media, Varnis…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…The Conservation of Antiquities and Works of Art (1973)The Conservation of Antiquiti…On Picture Varnishes and Their Solvents (1973)On Picture Varnishes and Thei…The materials and techniques of medieval painting (1956)The materials and techniques …The Artist's Handbook of Materials and Techniques (1940)The Artist's Handbook of Mate…The practice of tempera painting (1962)The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media (1980)Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting (2008)Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra (2010)Reevaluating the timing of Neanderthal disappearance in Northwest Europe (2021)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Colour and art: A brief history of pigments (2005)Animal origin of 13th-century uterine vellum revealed using noninvasive peptide fingerprinting (2015)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)The identification by Raman microscopy and X-ray diffraction of iron-oxide pigments and of the red pigments found on Italian pottery fragments (1998)Study of Burseraceae resins used in binding media and varnishes from artworks by gas chromatography–mass spectrometry and pyrolysis-gas chromatography–mass spectrometry (2005)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)A review of synthetic binding media in twentieth‐century paints (2000)The Swelling of Artists' Paints in Organic Solvents. Part 2, Comparative Swelling Powers of Selected Organic Solvents and Solvent Mixtures (2002)Handheld XRF for Art and Archaeology (2013)The composition of museum atmospheres (1990)Environmental parameters in museums (2003)Acetic and formic acids emitted from wood samples and their effect on selected materials in museum environments (2009)
this work references cited by second hop

References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 1956The materials and techniques of medieval painting252 cited
  • 1973The Conservation of Antiquities and Works of Art241 cited
  • 1940The Artist's Handbook of Materials and Techniques122 cited
  • 1973On Picture Varnishes and Their Solvents83 cited
  • 1995Ancient Binding Media, Varnishes and Adhesives57 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work