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Les encres noires au Moyen Âge (jusqu'à 1600)
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Les encres noires au Moyen Âge (jusqu'à 1600) (1983)Les encres noires au Moyen Âge (jusqu'à 1…Mössbauer study of iron gall inks on historical documents (2021)Mössbauer study of iron gall …New insights into iron-gall inks through the use of historically accurate reconstructions (2018)New insights into iron-gall i…PIXE and IRR analysis of sixteenth-century ink drawings by Luca Cambiaso and his school (2012)PIXE and IRR analysis of sixt…The Artemidorus Papyrus: Solving An Ancient Puzzle with Radiocarbon and Ion Beam Analysis Measurements (2010)The Artemidorus Papyrus: Solv…Chemical and statistical characterization of selected documents from the archives of the Palazzo Ducale (Venice, Italy) (2009)Chemical and statistical char…Chapter 14 Pigment identification in illuminated manuscripts (2004)Chapter 14 Pigment identifica…Zerdoun Bat-Yehouda (Monique), Les encres noires au moyen âge (jusqu'à 1600), 1983 (1985)PIXE elemental mapping on original manuscripts with an external microbeam. Application to manuscripts damaged by iron-gall ink corrosion (2001)Advantages of scanning-mode ion beam analysis for the study of Cultural Heritage (2007)The present role of small particle accelerators for the study of Cultural Heritage (2011)Integrating Non-Destructive Ion Beam Analysis Methods and AMS Radiocarbon Dating for the Study of Ancient Bronze Statues (2012)Ion Beam Analysis and 14C Accelerator Mass Spectroscopy to Identify Ancient and Recent Art Forgeries (2022)FT-IR and FT-Raman study of hydrothermally degradated cellulose (2001)FT-IR and FT-Raman study of hydrothermally degraded groundwood containing paper (2002)FTIR – Deconvolution Spectra of Paper Documents (2002)Multivariate classification of pigments and inks using combined Raman spectroscopy and LIBS (2011)Composition Analysis of Writing Materials in Cairo Genizah Documents (2021)Multidisciplinary study of a Qajar lacquered painting: Technology and materials characterization (2022)Recent applications to the study of ancient inks with the Florence external-PIXE facility (1996)In-air PIXE set-up for automatic analysis of historical document inks (2004)Analysis of iron gall inks by PIXE (2005)Non-invasive contactless analysis of an early drawing by Raffaello Sanzio by means of optical methods (2022)Raman analysis of iron gall inks on parchment (2006)Tannins characterization in historic leathers by complementary analytical techniques ATR-FTIR, UV-Vis and chemical tests (2012)Vegetable Tannins Used in the Manufacture of Historic Leathers (2018)Black Egyptian inks in Late Antiquity: new insights on their manufacture and use (2020)Analysis of Iron Complexes of Tannic Acid and Other Related Polyphenols as Revealed by Spectroscopic Techniques: Implications in the Identification and Characterization of Iron Gall Inks in Historical Manuscripts (2022)Iron-gall inks: a review of their degradation mechanisms and conservation treatments (2022)Characterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry (2004)Historical iron gall ink containing documents — Properties affecting their condition (2005)A Study on the Degradation of Iron Gall Inks and to Preserve Them Using Green Approaches (2025)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Painting Materials: A Short Encyclopedia (2011)
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Cited by

  • 2018New insights into iron-gall inks through the use of historically accurate reconstructions119 cited
  • 2010The Artemidorus Papyrus: Solving An Ancient Puzzle with Radiocarbon and Ion Beam Analysis Measurements13 cited
  • 2021Mössbauer study of iron gall inks on historical documents12 cited
  • 2009Chemical and statistical characterization of selected documents from the archives of the Palazzo Ducale (Venice, Italy)11 cited
  • 2004Chapter 14 Pigment identification in illuminated manuscripts9 cited
  • 2012PIXE and IRR analysis of sixteenth-century ink drawings by Luca Cambiaso and his school7 cited

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