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Scene Shift, Metalepsis, and the Metaleptic Mode
0 references·16 citing·38 second hop
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  • 2012Ontological Metalepsis and Unnatural Narratology80 cited
  • 2011The Category of ‘Person’ in Fiction: You and We Narrative-Multiplicity and Indeterminacy of Reference57 cited
  • 2017From Enargeia to Immersion: The Ancient Roots of a Modern Concept47 cited
  • 2020Fictional Discourse39 cited
  • 2020“Marielle, presente”: Metaleptic temporality and the enregisterment of hope in Rio de Janeiro33 cited
  • 2016Interactional Metalepsis and Unnatural Narratology29 cited
  • 2009Date-palms, language and the power of knowledge: An analysis of a fable from Kalila and Dimna25 cited
  • 2013RADICAL COGNITION: METALEPSIS IN CLASSICAL GREEK DRAMA24 cited
  • 2010Mutinous Fiction: Narrative and Illustrative Metalepsis in Three Postmodern Picturebooks23 cited
  • 2016The religious affordance of fiction: a semiotic approach23 cited
  • 2011Warning23 cited
  • 2013Anachronistic Aesthetics: Maria Edgeworth and the “Uses” of History19 cited
  • 2011Metalepsis in Fan Vids and Fan Fiction18 cited
  • 2017The Narratology of Comic Art16 cited
  • 2010Diegetic Short Circuits: Metalepsis in Animation

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14 cited
  • 2018The middle, the east, the west of Erin: Narrative disorientation and the production of space2 cited