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Les « Atlas photographiques » : un mécanisme de pensée commun à l’anthropologie et à l’histoire de l’art
5 references·0 citing·19 second hop
Les « Atlas photographiques » : un mécanisme de pensée commun à l’anthropologie et à l’histoire de l’art (2009)Les « Atlas photographiques » : un mécani…Art History Through the Camera's Lens (2013)Art History Through the Camer…Georges Didi-Huberman, L’image survivante. Histoire de l’art et temps des fantômes selon Aby Warburg (2002)Georges Didi-Huberman, L’imag…The Slide Lecture, or the Work of Art "History" in the Age of Mechanical Reproduction (2000)The Slide Lecture, or the Wor…The Image of Objectivity (1992)The Image of ObjectivityEarly Uses of Photography in the History of Art (1979)Early Uses of Photography in …Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life (1987)Holy Feast and Holy Fast: The Religious Significance of Food to Medieval Women (1989)The Normal and the Pathological (1990)Science's new social contract with society (1999)Twilight Of The Perfect Model Model (2001)Preemption, precaution, preparedness: Anticipatory action and future geographies (2010)A history of the modern fact: Problems of knowledge in the sciences of wealth and society (1999)Botany on a Plate (2002)On Geography as a Visual Discipline (2003)On the Need to Ask How, Exactly, Is Geography “Visual”? (2003)Art and Illusion: A Study in the Psychology of Pictorial Representation (1960)Visual resources: the state of the art (1982)Introduction: On the Invisibility of the Visual (1987)Bild und Emotion — ein neues Forschungsfeld (2006)L’histoire du cinéma n’existe pas (2011)L’intelligence des images - l’intericonicité, enjeux et méthodes (2015)The Getty Research Institute: Materials for a New Photo-History (1998)Exchanging photographs: preliminary thoughts on the currency of photography in collecting anthropology (2000)With and Without Walls: Photographic Reproduction and the Art Museum (2013)
this work references cited by second hop

References

  • 1992The Image of Objectivity1,274 cited
  • 2002Georges Didi-Huberman, L’image survivante. Histoire de l’art et temps des fantômes selon Aby Warburg368 cited
  • 2000The Slide Lecture, or the Work of Art "History" in the Age of Mechanical Reproduction118 cited
  • 2013Art History Through the Camera's Lens24 cited
  • 1979Early Uses of Photography in the History of Art19 cited

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