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Ubiquitous Absence
16 references·0 citing·28 second hop
Ubiquitous Absence (2013)Ubiquitous AbsenceNarration in the Fiction Film (2013)Narration in the Fiction FilmFrames of war: when is life grievable? (2010)Frames of war: when is life g…Moving viewers: American film and the spectator's experience (2009)Moving viewers: American film…Frames of war: when is life grievable? (2009)Frames of war: when is life g…Villains, Victims and Heroes: Melodrama, Media, and September 11 (2005)Villains, Victims and Heroes:…Genre and Hollywood (2005)Genre and HollywoodCarnal thoughts: embodiment and moving image culture (2005)Carnal thoughts: embodiment a…Perverse spectators: the practices of film reception (2001)Perverse spectators: the prac…The Democratic Paradox (2000)The Democratic ParadoxPerverse Spectators: The Practices of Film Reception (2000)Perverse Spectators: The Prac…Film Theory: An Introduction (2000)Film Theory: An IntroductionEngaging characters: fiction, emotion, and the cinema (1996)Engaging characters: fiction,…The World War II Combat Film: Anatomy of a Genre (1988)The World War II Combat Film:…Film theory: an introduction (1988)Film theory: an introductionNarration in the Fiction Film (1986)Narration in the Fiction FilmHegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)Hegemony and Socialist Strate…Gender Trouble: Feminism and the Subversion of Identity (1991)Undoing Gender (2004)Bodies That Matter (2011)Deliberative Democracy and Beyond (2002)Reframing Public Policy (2003)Coloniality of Power, Eurocentrism, and Latin America (2008)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)The visual dehumanisation of refugees (2013)Cause and response: vulnerability and climate in the Anthropocene (2014)Toxic Space and Time: Slow Violence, Necropolitics, and Petrochemical Pollution (2018)Cross-Cultural Representation of ‘Otherness’ in Media Discourse (2003)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)Multimodal analysis within an interactive software environment: critical discourse perspectives (2011)Ethnicity and the Multicultural City: Living with Diversity (2002)D ELIBERATIVE D EMOCRATIC T HEORY (2003)Slumdog Cities: Rethinking Subaltern Urbanism (2011)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Some Like It Bad: Testing a Model for Perceiving and Experiencing Fictional Characters (2005)WILL THE REAL EMPATHY PLEASE STAND UP? A CASE FOR A NARROW CONCEPTUALIZATION (2011)Narrative Complexity in Contemporary American Television (2006)The Routledge Handbook of Multimodal Analysis (2010)Seeing What We Know: Disability and Theories of Metaphor (2010)Videographic geographies: Using digital video for geographic research (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Critical Discourse Analysis. Theory and Interdisciplinarity. (2003)Stranger than Fiction? A Few Methodological Notes on Linguistic Research in Film Discourse (2011)
this work references cited by second hop

References

  • 1985Hegemony and Socialist Strategy: Towards a Radical Democratic Politics9,270 cited
  • 2010Frames of war: when is life grievable?3,099 cited
  • 2009Frames of war: when is life grievable?2,787 cited
  • 2000The Democratic Paradox2,447 cited
  • 1986Narration in the Fiction Film1,483 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 2005Carnal thoughts: embodiment and moving image culture797 cited
  • 1996Engaging characters: fiction, emotion, and the cinema766 cited
  • 2000Film Theory: An Introduction431 cited
  • 1988Film theory: an introduction391 cited
  • 2009Moving viewers: American film and the spectator's experience347 cited
  • 2005Genre and Hollywood305 cited
  • 2001Perverse spectators: the practices of film reception203 cited
  • 1988The World War II Combat Film: Anatomy of a Genre194 cited
  • 2000Perverse Spectators: The Practices of Film Reception179 cited
  • 2005Villains, Victims and Heroes: Melodrama, Media, and September 11178 cited

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