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Collaborative ethnomusicology: new approaches to music research between indigenous and non-indigenous Australians
0 references·8 citing·23 second hop
Collaborative ethnomusicology: new approaches to music research between indigenous and non-indigenous Australians (2014)Collaborative ethnomusicology: new approa…Cross-Cultural Collaboration in Popular Music (2024)Cross-Cultural Collaboration …Soundings on a Relational Epistemology: Encountering Indigenous Knowledge through Interwoven Experience (2023)Soundings on a Relational Epi…Music, literature, and community: Reflections on a framework for learning through and from Aboriginal and Torres Strait Islander music (2023)Music, literature, and commun…The Fringe or the Heart of Things? Aboriginal and Torres Strait Islander Musics in Australian Music Institutions (2020)The Fringe or the Heart of Th…Fostering Reconciliation through Collaborative Research in Unama’ki: Engaging Communities through Indigenous Methodologies and Research-Creation (2020)Fostering Reconciliation thro…Central Australian Aboriginal Songs and Biocultural Knowledge: Evidence from Women's Ceremonies Relating to Edible Seeds (2019)Central Australian Aboriginal…The White Noise of Music Education: Unsounding the Possessive Logic of Patriarchal White Sovereignty in the Australian Curriculum (2018)The White Noise of Music Educ…‘Say You’re a Nyungarmusicologist’: Indigenous Research and Endangered Song (2015)‘Say You’re a Nyungarmusicolo…Decolonizing Methodologies: Research and Indigenous Peoples (2000)Research methods in anthropology: qualitative and quantitative approaches (2002)The Value of Ethnographic Research on Music: An Introduction (2021)8 Decolonizing Methodologies: Research and Indigenous Peoples (2024)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Whiteness as Property (1993)Decolonization is not a metaphor (2012)Songs of Central Australia (1971)Semantics: An Interdisciplinary Reader in Philosophy, Linguistics and Psychology (1973)The Technology of Enchantment and the Enchantment of Technology (1992)Research Is Ceremony: Indigenous Research Methods (2008)Indigenous Methodologies: Characteristics, Conversations, and Contexts (2009)Nourishing terrains : Australian Aboriginal views of landscape and wilderness (1996)Settler colonialism and the elimination of the native (2006)The White Possessive (2010)The Cultural Interface (2007)The Oxford Handbook of Qualitative Research (2014)The Language Animal (2016)Handbook of qualitative research (1999)The Sage Handbook of Qualitative Research 1 (2011)Time and the Other: How Anthropology Makes Its Object (1983)Questions of Cultural Identity (1997)White Nation: Fantasies of White Supremacy in a Multicultural Society (1999)
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Cited by

  • 2019Central Australian Aboriginal Songs and Biocultural Knowledge: Evidence from Women's Ceremonies Relating to Edible Seeds33 cited
  • 2015‘Say You’re a Nyungarmusicologist’: Indigenous Research and Endangered Song15 cited
  • 2020The Fringe or the Heart of Things? Aboriginal and Torres Strait Islander Musics in Australian Music Institutions14 cited
  • 2020Fostering Reconciliation through Collaborative Research in Unama’ki: Engaging Communities through Indigenous Methodologies and Research-Creation9 cited
  • 2023Music, literature, and community: Reflections on a framework for learning through and from Aboriginal and Torres Strait Islander music7 cited
  • 2023Soundings on a Relational Epistemology: Encountering Indigenous Knowledge through Interwoven Experience7 cited
  • 2024Cross-Cultural Collaboration in Popular Music4 cited
  • 2018The White Noise of Music Education: Unsounding the Possessive Logic of Patriarchal White Sovereignty in the Australian Curriculum4 cited

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