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Audience experience : measuring quality in the performing arts
4 references·16 citing·42 second hop
Audience experience : measuring quality in the performing arts (2009)Audience experience : measuring quality i…Valuing Musical Participation (2016)Valuing Musical ParticipationWhat Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)What Makes an Audience? Inves…Authenticating acts and authoritative performances: questing for self and community (2003)Authenticating acts and autho…The Theatrical Event: Dynamics of Performance and Perception (2000)The Theatrical Event: Dynamic…Linking Audience Physiology to Choreography (2022)Linking Audience Physiology t…Venture performance factors in creative industries: a sample of female entrepreneurs (2018)Venture performance factors i…(Un)popular music and young audiences: Exploring the classical chamber music concert from the perspective of young adult listeners (2017)(Un)popular music and young a…Service-dominant logic and the festival experience (2016)Service-dominant logic and th…Sensing a live audience (2014)Sensing a live audienceConceptualizing audience experience at the literary festival (2014)Conceptualizing audience expe…Views of an audience: understanding the orchestral concert experience from player and listener perspectives (2013)Views of an audience: underst…Listening to live jazz: an individual or social act? (2013)Listening to live jazz: an in…“A big part of my life”: a qualitative study of the impact of theatre (2013)“A big part of my life”: a qu…The evolution and development of arts marketing research (2011)The evolution and development…Love, hate, arousal and engagement (2011)Love, hate, arousal and engag…Ethical Implications of Methodological Settings in Arts Management Research: The Case of Performance Evaluation (2011)Ethical Implications of Metho…Cultural Experience in Context: Sense-Making the Arts (2011)Cultural Experience in Contex…Classical Cult or Learning Community? Exploring New Audience Members’ Social and Musical Responses to First-time Concert Attendance (2011)Classical Cult or Learning Co…Understanding Jazz Audiences: Listening and Learning at the Edinburgh Jazz and Blues Festival (2010)Understanding Jazz Audiences:…Measuring the intrinsic benefits of arts attendance (2010)Measuring the intrinsic benef…Thinking in Jazz (1994)Thinking in jazz: the infinite art of improvisation (1995)Valuing Musical Participation (2006)The reciprocal relationship between jazz musicians and audiences in live performances: A pilot qualitative study (2012)Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality (2017)Popular music scenes and aging bodies (2018)The Ritual Process: Structure and Anti-Structure (1976)Hedonic Consumption: Emerging Concepts, Methods and Propositions (1982)Qualitative Interviewing: The Art of Hearing Data (1996)Towards a balanced scorecard: A critical analysis of the Culture and Sport Evidence (CASE) programme (2012)Understanding of the value and impacts of cultural experience – a literature review (2014)What UK Spectators Know: Understanding How We Come to Value Theatre (2014)The Chinese Learner: Cultural, Psychological, and Contextual Influences. 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this work references cited by second hop

References

  • 2003Authenticating acts and authoritative performances: questing for self and community218 cited
  • 2000The Theatrical Event: Dynamics of Performance and Perception183 cited
  • 2005What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival151 cited
  • 2016Valuing Musical Participation109 cited

Cited by

  • 2011Love, hate, arousal and engagement125 cited
  • 2011The evolution and development of arts marketing research76 cited
  • 2013“A big part of my life”: a qualitative study of the impact of theatre58 cited
  • 2010Measuring the intrinsic benefits of arts attendance58 cited
  • 2014Sensing a live audience56 cited
  • 2010Understanding Jazz Audiences: Listening and Learning at the Edinburgh Jazz and Blues Festival55 cited
  • 2011Classical Cult or Learning Community? Exploring New Audience Members’ Social and Musical Responses to First-time Concert Attendance52 cited
  • 2013Listening to live jazz: an individual or social act?37 cited
  • 2016Service-dominant logic and the festival experience35 cited
  • 2014Conceptualizing audience experience at the literary festival31 cited
  • 2011Ethical Implications of Methodological Settings in Arts Management Research: The Case of Performance Evaluation

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29 cited
  • 2017(Un)popular music and young audiences: Exploring the classical chamber music concert from the perspective of young adult listeners27 cited
  • 2011Cultural Experience in Context: Sense-Making the Arts24 cited
  • 2013Views of an audience: understanding the orchestral concert experience from player and listener perspectives19 cited
  • 2022Linking Audience Physiology to Choreography19 cited
  • 2018Venture performance factors in creative industries: a sample of female entrepreneurs19 cited