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Performing Identity in The Hard Nut : Stereotype, Modeling and the Inventive Body
16 references·0 citing·34 second hop
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References

  • 2011Bodies That Matter10,356 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.803 cited
  • 1997Meaning in Motion333 cited
  • 1993Embodying Difference: Issues in Dance and Cultural Studies220 cited
  • 1996Writing Dancing in the Age of Postmodernism by Sally Banes. Hanover, NH: University Press of New England, Wesleyan University Press, 1994. xvi + 412 pp., photographs, figures, notes, index. $19.95 paperbound.204 cited
  • 2012Do Clothes Make the Woman?: Gender, Performance Theory, and Lesbian Eroticism160 cited
  • 1996Done into dance: Isadora Duncan in America159 cited
  • 1996Cruising the Performative: Interventions into the Representation of Ethnicity, Nationality, and Sexuality151 cited
  • 1993Dance as Text: Ideologies of the Baroque Body145 cited
  • 2007The Male Dancer145 cited
  • 1990Diaghilev's Ballets Russes, byLynn Garafola. New York, Oxford: Oxford University Press, 1989. xviii + 524 pp., illustrations. $29.95.109 cited
  • 1993Women and dance: sylphs and sirens109 cited
  • 1993Dance, Gender and Culture108 cited
  • 1998Rethinking the sylph: new perspectives on the Romantic ballet99 cited
  • 1994Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman

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90 cited
  • 1987Tchaikovsky's Ballets: Swan Lake, Sleeping Beauty, Nutcracker76 cited
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