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Cited by

• 2004The Cambridge History of British Theatre105 cited
• 2017Hyperinstrumentalism and cultural policy: means to an end or an end to meaning?74 cited
• 2017Inside the whale (and how to get out of there): Moving on from two decades of creative industries research67 cited
• 2004John Maynard Keynes, the Bloomsbury group and the origins of the arts council movement61 cited
• 2010From "Access" to "Creativity": Shakespeare Institutions, New Media, and the Language of Cultural Value53 cited
• 1999Discouraging Democracy: British Theatres and Economics, 1979-199948 cited
• 2009The Cultures of Capitalism: Glasgow and the Monopoly of Culture43 cited
• 2011Great art for everyone? Engagement and participation policy in the arts37 cited
• 2019Realism Redux: Staging ‘Billy Budd’ in the Age of Television36 cited
• 2013“People just need to feel important, like someone is listening”: Recognising museums’ community engagement programmes as spaces of care34 cited
• 2017The Histories of Raphael Samuel33 cited
• 2000Measure for measure: evaluating performance and the arts organisation31 cited
• 2015Heritage and Policy27 cited
• 2008Scales, Regimes, and the Urban Governance of Glasgow