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The Rise and Fall of a Songwriting Partnership
16 references·12 citing·29 second hop
The Rise and Fall of a Songwriting Partnership (2015)The Rise and Fall of a Songwriting Partne…Ethnography: Step-by-Step (2020)Ethnography: Step-by-StepHow Popular Musicians Learn: A Way Ahead for Music Education (2002)How Popular Musicians Learn: …Popular Music and Youth Culture: Music, Identity, and Place (2001)Popular Music and Youth Cultu…Popular music and youth culture: music, identity and place (2000)Popular music and youth cultu…Autoethnography, Personal Narrative, Reflexivity: Researcher as Subject (2000)Autoethnography, Personal Nar…Researching Culture: Qualitative Method and Cultural Studies. (1996)Researching Culture: Qualitat…Dissonant Identities: The Rock'n'Roll Scene in Austin, Texas (1996)Dissonant Identities: The Roc…Researching Culture: Qualitative Method and Cultural Studies (1995)Researching Culture: Qualitat…Handbook of Qualitative Research (1994)Handbook of Qualitative Resea…Rock Culture in Liverpool: Popular Music in the Making. (1992)Rock Culture in Liverpool: Po…Studying Popular Music (1991)Studying Popular MusicThe Hidden Musicians: Music-Making in an English Town. (1990)The Hidden Musicians: Music-M…Studying Popular Music (1990)Studying Popular MusicThe Hidden Musicians: Music-Making in an English Town (1989)The Hidden Musicians: Music-M…The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)The Discovery of Grounded The…The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)The Discovery of Grounded The…The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement (2024)The Benefits of Collaborative…Aspirations, considerations and processes: Songwriting in and for music education (2019)Aspirations, considerations a…“Give me actual music stuff!”: The nature of feedback in a collegiate songwriting class (2019)“Give me actual music stuff!”…The emergence of the singer-songwriter (2016)The emergence of the singer-s…The Brill Building and the creative labour of the professional songwriter (2016)The Brill Building and the cr…The ‘professional’ singer-songwriter in the 1970s (2016)The ‘professional’ singer-son…Singer-songwriters and fandom in the digital age (2016)Singer-songwriters and fandom…Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’) (2016)Singer-songwriter authenticit…Sampling and storytelling: Kanye West’s vocal and sonic narratives (2016)Sampling and storytelling: Ka…Reconciling theory with practice in the teaching of songwriting (2016)Reconciling theory with pract…Musical gesture in the songs of Nick Drake (2016)Musical gesture in the songs …Gender, race, and the ma(s)king of ‘Joni Mitchell’ (2016)Gender, race, and the ma(s)ki…Theory Building From Cases: Opportunities And Challenges (2007)Purposeful Sampling for Qualitative Data Collection and Analysis in Mixed Method Implementation Research (2013)Sample Size in Qualitative Interview Studies (2015)The Discovery of Grounded Theory (2017)Mutual Learning and Democratic Action in Instrumental Music Education (2003)Formal and informal learning situations or practices vs formal and informal ways of learning (2006)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Representation, Legitimation, and Autoethnography: An Autoethnographic Writing Story (2003)A Qualitative Study (2009)On Becoming a Qualitative Researcher: The Value of Reflexivity (2015)Lessons of Welfare: Policy Design, Political Learning, and Political Action (1999)Qualitative-Quantitative Research Methodology: Exploring the Interactive Continuum (1999)Research with Children (2002)Analyzing Qualitative Interview Data (1999)Tourism and the forbidden zone: the underserved power of qualitative inquiry (2001)Understanding the Processes of Translation and Transliteration in Qualitative Research (2010)Determining Validity in Qualitative Inquiry (2000)Mixed Methods Research: A Research Paradigm Whose Time Has Come (2004)Consolidated criteria for reporting qualitative research (COREQ): a 32-item checklist for interviews and focus groups (2007)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Theorising Urban Playscapes: Producing, Regulating and Consuming Youthful Nightlife City Spaces (2002)The Glocalization of Youth Culture: The Global Youth Segment as Structures of Common Difference (2006)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)The Mediatization of Society (2008)Ethnography and popular music studies (1993)Class, Control, and Classical Music (2019)How Many Interviews Are Enough? (2005)Seeking Qualitative Rigor in Inductive Research (2012)
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References

  • 1968The Discovery of Grounded Theory: Strategies for Qualitative Research.46,361 cited
  • 1968The Discovery of Grounded Theory; Strategies for Qualitative Research39,440 cited
  • 1994Handbook of Qualitative Research26,587 cited
  • 2000Autoethnography, Personal Narrative, Reflexivity: Researcher as Subject2,403 cited
  • 2020Ethnography: Step-by-Step1,921 cited
  • 2002How Popular Musicians Learn: A Way Ahead for Music Education1,021 cited
  • 1995Researching Culture: Qualitative Method and Cultural Studies617 cited
  • 1990Studying Popular Music606 cited
  • 1991Studying Popular Music550 cited
  • 2000Popular music and youth culture: music, identity and place468 cited
  • 1989The Hidden Musicians: Music-Making in an English Town455 cited
  • 1990The Hidden Musicians: Music-Making in an English Town.387 cited
  • 1996Researching Culture: Qualitative Method and Cultural Studies.329 cited
  • 1992Rock Culture in Liverpool: Popular Music in the Making.301 cited
  • 2001Popular Music and Youth Culture: Music, Identity, and Place282 cited
  • 1996Dissonant Identities: The Rock'n'Roll Scene in Austin, Texas

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241 cited

Cited by

  • 2019“Give me actual music stuff!”: The nature of feedback in a collegiate songwriting class24 cited
  • 2019Aspirations, considerations and processes: Songwriting in and for music education23 cited
  • 2016Gender, race, and the ma(s)king of ‘Joni Mitchell’14 cited
  • 2016Musical gesture in the songs of Nick Drake14 cited
  • 2016Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’)9 cited
  • 2016The emergence of the singer-songwriter6 cited
  • 2016The Brill Building and the creative labour of the professional songwriter4 cited
  • 2016Singer-songwriters and fandom in the digital age4 cited
  • 2016The ‘professional’ singer-songwriter in the 1970s4 cited
  • 2016Sampling and storytelling: Kanye West’s vocal and sonic narratives4 cited
  • 2016Reconciling theory with practice in the teaching of songwriting4 cited
  • 2024The Benefits of Collaborative Popular Music Songwriting: A Spectrum of Artist-Songwriter Involvement3 cited