References

• 2005Spectroscopic Techniques in Cultural Heritage Conservation: A Survey182 cited
• 2009Electrochemical Methods in Archaeometry, Conservation and Restoration116 cited
• 2003Using FT-IR spectroscopy for study of calcareous ancient ceramics114 cited
• 2004Non-destructive XRF analysis of paintings66 cited
• 2014Preparation of thin-sections of painting fragments: Classical and innovative strategies42 cited
• 2009Integrated analytical study for the authentication of five Russian icons (XVI–XVII centuries)36 cited
• 2008A comparative study of wall paintings at the Cypriot monastery of Christ Antiphonitis: one artist or two?33 cited
• 2008Micro-Raman spectroscopic investigation of external wall paintings from St. Dumitru’s Church, Suceava, Romania30 cited
• 2013An innovative, interdisciplinary, and multi‐technique study of gilding and painting techniques in the decoration of the main altarpiece of Miranda do Douro Cathedral (XVII‐XVIIIth centuries, Portugal)29 cited
• 2012FTIR, Raman and XRF identification of the image materials in turn of the 20th century pigment-based photographs25 cited
• 2011Fluorescence recognition of proteinaceous binders in works of art by a novel integrated system of investigation24 cited
• 2014An uncovered XIII century icon: Particular use of organic pigments and gilding techniques highlighted by analytical methods18 cited
• 2010Application of XRF spectrometry to the study of pigments in glazed ceramic pots