SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The American musical and the formation of national identity
0 references·16 citing·21 second hop
The American musical and the formation of national identity (2005)The American musical and the formation of…Singing Utopia (2024)Singing UtopiaPerforming Asian/American Women (2023)Performing Asian/American Wom…The Cambridge Companion to English Melodrama (2018)The Cambridge Companion to En…Nautical Melodrama (2018)Nautical MelodramaMaking Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Making Light Haydn, Musical C…Gothic Melodrama (2018)Gothic MelodramaEarly English Melodrama (2018)Early English MelodramaDomestic Melodrama (2018)Domestic MelodramaThe Coming of the Musical Play: Rodgers and Hammerstein (2017)The Coming of the Musical Pla…American Musical Theatre before the Twentieth Century (2017)American Musical Theatre befo…Performance, Authenticity, and the Reflexive Idealism of the American Musical (2012)Performance, Authenticity, an…Orchestration and Arrangement: Creating the Broadway Sound (2012)Orchestration and Arrangement…Evolution of Dance in the Golden Age of the American “Book Musical” (2012)Evolution of Dance in the Gol…Audiences and Critics (2012)Audiences and CriticsFitzgerald's “Riotous Mystery”:This Side of Paradiseas Musical Theater (2008)Fitzgerald's “Riotous Mystery…“Who's Selling Here?” Sounds Like The Music Man Is Selling and We’re Buying (2008)“Who's Selling Here?” Sounds …Against Interpretation and Other Essays (1966)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)Gay New York: gender, urban culture, and the making of the gay male world, 1890-1940 (1994)Recycled culture: the significance of intertextuality in twenty-first century musical theatre (2017)The Act of Reading: A Theory of Aesthetic Response (1979)Bringing Dance Back to the Center in Hamilton (2018)The Making of the English Working Class (1964)Cities of the dead: circum-Atlantic performance (1996)The Female Complaint (2008)The Music of the Gothic 1789–1820 (2024)Heavenly Bodies: Film Stars and Society (1987)Highbrow/Lowbrow (1988)Love and theft: blackface minstrelsy and the American working class (1994)After Virtue: A Study in Moral Theory (1984)The sociology of philosophies: a global theory of intellectual change (1999)Musicking: The Meanings of Performing and Listening (2000)The Post-Colonial Studies Reader (1996)Immigrant Acts: On Asian American Cultural Politics. (1997)Asian/American: historical crossings of a racial frontier (1999)The Cambridge History of the Gothic (2020)The Cambridge Companion to American Theatre since 1945 (2021)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2018Domestic Melodrama29 cited
  • 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism27 cited
  • 2018Gothic Melodrama26 cited
  • 2017American Musical Theatre before the Twentieth Century25 cited
  • 2018The Cambridge Companion to English Melodrama25 cited
  • 2012Audiences and Critics19 cited
  • 2018Nautical Melodrama12 cited
  • 2023Performing Asian/American Women11 cited
  • 2018Early English Melodrama8 cited
  • 2012Evolution of Dance in the Golden Age of the American “Book Musical”6 cited
  • 2012Performance, Authenticity, and the Reflexive Idealism of the American Musical5 cited
  • 2024Singing Utopia3 cited
  • 2012Orchestration and Arrangement: Creating the Broadway Sound3 cited
  • 2008Fitzgerald's “Riotous Mystery”:This Side of Paradiseas Musical Theater3 cited
  • 2008“Who's Selling Here?” Sounds Like The Music Man Is Selling and We’re Buying3 cited
  • 2017The Coming of the Musical Play: Rodgers and Hammerstein

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

3 cited