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Changing Stages : A View of British Theatre in the Twentieth Century
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Changing Stages : A View of British Theatre in the Twentieth Century (2000)Changing Stages : A View of British Theat…Re-inhabiting an uninhabitable body: interventions in voice production with transsexual men (2007)Re-inhabiting an uninhabitabl…Towards national identities: Welsh theatres (2004)Towards national identities: …The establishment of mainstream theatre, 1946–1979 (2004)The establishment of mainstre…Social commitment and aesthetic experiment, 1895–1946 (2004)Social commitment and aesthet…Popular theatre, 1895–1940 (2004)Popular theatre, 1895–1940English theatre in the 1990s and beyond (2004)English theatre in the 1990s …CARYL CHURCHILL:REPRESENTATIONAL NEGOTIATIONS AND PROVISIONAL TRUTHS (2004)CARYL CHURCHILL:REPRESENTATIO…British theatre, 1895–1946: art, entertainment, audiences – an introduction (2004)British theatre, 1895–1946: a…British theatre and commerce, 1979–2000 (2004)British theatre and commerce,…Alternative theatres, 1946–2000 (2004)Alternative theatres, 1946–20…"The Laughter Will Come of Itself. The Tears Are Inevitable": Martin McDonagh, Globalization, and Irish Theatre Criticism (2004)"The Laughter Will Come of It…Dramas of the Performative Society: Theatre at the End of its Tether (2001)Dramas of the Performative So…Discipline and Punish: The Birth of the Prison. (1978)Gender Trouble: Feminism and the Subversion of Identity (1991)A Theory of Cognitive Dissonance (2017)Writing in Society (1985)Utopian Performatives and the Social Imaginary: Toward a New Philosophy of Drama/Theater Education (2011)Heritage spectacles: the case of Amphipolis excavations during the Greek economic crisis (2017)Second Skins: The Body Narratives of Transsexuality (1998)In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2005)In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2006)The consequences of modernity (1990)The Condition of Postmodernity (1991)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)“Life Just Is Like That”: Martin McDonagh’s Estonian Enigma (2011)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Simulacra and Simulation (1995)The History of Sexuality: An Introduction (2012)Theatre in Britain during the Second World War (2010)Distinction: A Social Critique of the Judgement of Taste* (2018)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)
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Cited by

  • 2001Dramas of the Performative Society: Theatre at the End of its Tether39 cited
  • 2004"The Laughter Will Come of Itself. The Tears Are Inevitable": Martin McDonagh, Globalization, and Irish Theatre Criticism12 cited
  • 2004CARYL CHURCHILL:REPRESENTATIONAL NEGOTIATIONS AND PROVISIONAL TRUTHS12 cited
  • 2004The establishment of mainstream theatre, 1946–19796 cited
  • 2007Re-inhabiting an uninhabitable body: interventions in voice production with transsexual men5 cited
  • 2004British theatre, 1895–1946: art, entertainment, audiences – an introduction4 cited
  • 2004Alternative theatres, 1946–20004 cited
  • 2004British theatre and commerce, 1979–20004 cited
  • 2004English theatre in the 1990s and beyond4 cited
  • 2004Social commitment and aesthetic experiment, 1895–19464 cited
  • 2004Towards national identities: Welsh theatres4 cited
  • 2004Popular theatre, 1895–19403 cited

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