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Los gallos valientes: Examining Violence in Mexican Popular Music
9 references·5 citing·37 second hop
Los gallos valientes: Examining Violence in Mexican Popular Music (2006)Los gallos valientes: Examining Violence …Jefe de jefes: Corridos y narcocultura en México (2007)Jefe de jefes: Corridos y nar…Banda: Mexican Musical Life across Borders (2002)Banda: Mexican Musical Life a…The Parents' Music Resource Center: from information to censorship (1999)The Parents' Music Resource C…Folklore and Culture on the Texas-Mexican Border (1994)Folklore and Culture on the T…Subcultural Sounds: Micromusics of the West (1993)Subcultural Sounds: Micromusi…Disjuncture and Difference in the Global Cultural Economy (1990)Disjuncture and Difference in…The Texas-Mexican Conjunto: History of a Working-Class Music (1986)The Texas-Mexican Conjunto: H…"El Hijo del Pueblo": Jose Alfredo Jimenez and the Mexican "Cancion Ranchera" (1982)"El Hijo del Pueblo": Jose Al…Popular Music since the 1920s: The Significance of Shifting Taste (1968)Popular Music since the 1920s…Ignored Racism: White Animus Toward Latinos (2020)Ignored Racism: White Animus …Ignored Racism (2020)Ignored RacismMusic and Politics (2018)Music and PoliticsMúsica y narcotráfico en México. Una aproximación a los narcocorridos desde la noción de mediador (2011)Música y narcotráfico en Méxi…Music and drug trafficking in México. An approach to narcocorridos from the notion of mediator (2011)Music and drug trafficking in…Time and the Other: How Anthropology Makes Its Object (1983)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)blurred boundaries: the discourse of corruption, the culture of politics, and the imagined state (1995)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Metaphors We Live By (2003)We gotta get out of this place: popular conservatism and postmodern culture (1992)Running with the devil: power, gender, and madness in heavy metal music (1993)We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. (1993)Discourse and Documentation: Some Implications for Pedagogy and Research (2001)‘Fight the Power’: The Politics of Music and the Music of Politics (2003)Depending on music to feel better: Being conscious of responsibility when appropriating the power of music (2013)Stereotypes and prejudice: Their automatic and controlled components. (1989)Dual-process theories in social psychology (1999)The Culture of Control (2001)How Gender, Race, Ethnicity, and Their Intersections Shape Americans’ Issue Priorities (2021)Reconsidering Anthropological Explanations of Ethnic School Failure (1991)Music and Language (1994)Nor-tec Rifa! (2008)Sociolinguistics and Linguistic Anthropology of US Latinos (1999)The Managed Violences of the Borderlands: Treacherous Geographies, Policeability, and the Politics of Race (2006)Tradition: Three Traditions (2009)Narcocorridos: An Emerging Micromusic of Nuevo L. A. (2001)The Battle of Los Angeles: The Cultural Politics of Chicana/o Music in the Greater Eastside (2004)Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making (2016)The musical form in rhetorical exchange: Theoretical considerations (1972)Commercial Influences in the Lyrics of Popular American Music of the Postwar Era (1986)Why Pseudonyms? Deception as Identity Preservation Among Jazz Record Companies, 1920–1929 (2008)Corridos and la pura verdad: Myths and Realities of the Mexican Ballad (2004)Recent Research on the U.S.-Mexico Border (2004)Narcocorridos: Antecedentes de la tradición corridística y del narcotráfico en México (2013)Huapango Arribeño: A Mexican Musico-Poetic Tradition at the Interstices of Postmodernity (1968–1982) (2012)From Potosí to Tennessee (2017)Se Acabaron Las Palabras: A Post-Mortem Flores v. Arizona Disproportional Funding Analysis of Targeted English Learner Expenditures (2020)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)
this work references cited by second hop

References

  • 1990Disjuncture and Difference in the Global Cultural Economy4,235 cited
  • 1993Subcultural Sounds: Micromusics of the West465 cited
  • 1994Folklore and Culture on the Texas-Mexican Border264 cited
  • 1999The Parents' Music Resource Center: from information to censorship120 cited
  • 1986The Texas-Mexican Conjunto: History of a Working-Class Music110 cited
  • 1982"El Hijo del Pueblo": Jose Alfredo Jimenez and the Mexican "Cancion Ranchera"63 cited
  • 2002Banda: Mexican Musical Life across Borders48 cited
  • 2007Jefe de jefes: Corridos y narcocultura en México43 cited
  • 1968Popular Music since the 1920s: The Significance of Shifting Taste33 cited

Cited by

  • 2020Ignored Racism38 cited
  • 2018Music and Politics18 cited
  • 2011Music and drug trafficking in México. An approach to narcocorridos from the notion of mediator16 cited
  • 2020Ignored Racism: White Animus Toward Latinos8 cited
  • 2011Música y narcotráfico en México. Una aproximación a los narcocorridos desde la noción de mediador8 cited

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